«Moi, je reste, en 1960, fiérement surréaliste». E.L.T. Mesens: from dada-surrealist research to verbovisual experimentation in the 1960s
After initially forging links with the Dada movement, from 1926 Edouard Léon Théodore Mesens (Brussels, 1903-1971) became an active member of Belgian Surrealism. He was one of the most polyhedral figures of Belgian cultural scene: during his long career he was an artist, collagist, musician, poet an...
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| Format: | Article |
| Language: | English |
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University of Bologna
2021-01-01
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| Series: | piano b |
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| Online Access: | https://pianob.unibo.it/article/view/12233 |