Ritornelo: composição passo a passo
This paper intents to present the mecanism of « objects incrustation » and the « continuous variation of composition techniques » – operators that guided the composition of Ritornelo, for flute and percussion. The article also focus the relation between these strategies and an especific way to compo...
| Main Author: | |
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| Format: | Article |
| Language: | Portuguese |
| Published: |
Associação Nacional de Pesquisa e Pós-Graduação em Música
2004-12-01
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| Series: | Opus |
| Subjects: | |
| Online Access: | http://www.anppom.com.br/revista/index.php/opus/article/view/195 |
| _version_ | 1818530801588895744 |
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| author | Silvio Ferraz |
| author_facet | Silvio Ferraz |
| author_sort | Silvio Ferraz |
| collection | DOAJ |
| description | This paper intents to present the mecanism of « objects incrustation » and the « continuous variation of composition techniques » – operators that guided the composition of Ritornelo, for flute and percussion. The article also focus the relation between these strategies and an especific way to compose where sound and musical objects don’t assume the first position in the compositional plan. The technical aspects of Ritornelo’s composition are also related to a way of composing withouth a previous plan, at the same time, it doesn’t follow the cause-effect logic present ed in more tradicional musical improvisation. |
| first_indexed | 2024-12-11T17:24:18Z |
| format | Article |
| id | doaj.art-5ea27eaf64c14440af3bb2daf83fcc4a |
| institution | Directory Open Access Journal |
| issn | 0103-7412 1517-7017 |
| language | Portuguese |
| last_indexed | 2024-12-11T17:24:18Z |
| publishDate | 2004-12-01 |
| publisher | Associação Nacional de Pesquisa e Pós-Graduação em Música |
| record_format | Article |
| series | Opus |
| spelling | doaj.art-5ea27eaf64c14440af3bb2daf83fcc4a2022-12-22T00:57:02ZporAssociação Nacional de Pesquisa e Pós-Graduação em MúsicaOpus0103-74121517-70172004-12-011016372171Ritornelo: composição passo a passoSilvio Ferraz0UNICAMPThis paper intents to present the mecanism of « objects incrustation » and the « continuous variation of composition techniques » – operators that guided the composition of Ritornelo, for flute and percussion. The article also focus the relation between these strategies and an especific way to compose where sound and musical objects don’t assume the first position in the compositional plan. The technical aspects of Ritornelo’s composition are also related to a way of composing withouth a previous plan, at the same time, it doesn’t follow the cause-effect logic present ed in more tradicional musical improvisation.http://www.anppom.com.br/revista/index.php/opus/article/view/195ComposiçãoRitorneloAcidente. |
| spellingShingle | Silvio Ferraz Ritornelo: composição passo a passo Opus Composição Ritornelo Acidente. |
| title | Ritornelo: composição passo a passo |
| title_full | Ritornelo: composição passo a passo |
| title_fullStr | Ritornelo: composição passo a passo |
| title_full_unstemmed | Ritornelo: composição passo a passo |
| title_short | Ritornelo: composição passo a passo |
| title_sort | ritornelo composicao passo a passo |
| topic | Composição Ritornelo Acidente. |
| url | http://www.anppom.com.br/revista/index.php/opus/article/view/195 |
| work_keys_str_mv | AT silvioferraz ritornelocomposicaopassoapasso |