This Magic Moment: the Aesthetics of Jean Epstein and Edgar Allan Poe

In 1928, filmmaker Jean Epstein produced La Chute de la Maison Usher: a masterpiece of Gothic cinema. It is an adaptation of two of Edgar Allan Poe’s short stories, “The Fall of the House of Usher” and “The Oval Portrait”. The study of this intersection of Jean Epstein and Edgar Allan Poe has led to...

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Main Author: James Thompson
Format: Article
Language:English
Published: UWE 2023-03-01
Series:Screenworks
Subjects:
Online Access:https://screenworks.org.uk/archive/volume-13-1/this-magic-moment-the-aesthetics-of-jean-epstein-and-edgar-allan-poe
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author James Thompson
author_facet James Thompson
author_sort James Thompson
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description In 1928, filmmaker Jean Epstein produced La Chute de la Maison Usher: a masterpiece of Gothic cinema. It is an adaptation of two of Edgar Allan Poe’s short stories, “The Fall of the House of Usher” and “The Oval Portrait”. The study of this intersection of Jean Epstein and Edgar Allan Poe has led to the production of a triptych (a suite of three films): I Work for the Devil, Tonight You Belong to Me, and The Night-Side of Nature. The project explores a theory-in-action known as “photogénie”, and how this method might be used and updated to invigorate experimental cinema in the twenty-first century.
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spelling doaj.art-5eaccdd994ea4bdeab1ff28d679d03c02023-06-14T11:24:55ZengUWEScreenworks2514-31232023-03-01131https://doi.org/10.37186/swrks/13.1/7This Magic Moment: the Aesthetics of Jean Epstein and Edgar Allan PoeJames Thompson0https://orcid.org/0000-0001-9664-5337SAE Creative Media Institute - Melbourne: South Melbourne, VIC, AUIn 1928, filmmaker Jean Epstein produced La Chute de la Maison Usher: a masterpiece of Gothic cinema. It is an adaptation of two of Edgar Allan Poe’s short stories, “The Fall of the House of Usher” and “The Oval Portrait”. The study of this intersection of Jean Epstein and Edgar Allan Poe has led to the production of a triptych (a suite of three films): I Work for the Devil, Tonight You Belong to Me, and The Night-Side of Nature. The project explores a theory-in-action known as “photogénie”, and how this method might be used and updated to invigorate experimental cinema in the twenty-first century. https://screenworks.org.uk/archive/volume-13-1/this-magic-moment-the-aesthetics-of-jean-epstein-and-edgar-allan-poejean epsteinedgar allan poetriptychphotogénieexperimental cinema
spellingShingle James Thompson
This Magic Moment: the Aesthetics of Jean Epstein and Edgar Allan Poe
Screenworks
jean epstein
edgar allan poe
triptych
photogénie
experimental cinema
title This Magic Moment: the Aesthetics of Jean Epstein and Edgar Allan Poe
title_full This Magic Moment: the Aesthetics of Jean Epstein and Edgar Allan Poe
title_fullStr This Magic Moment: the Aesthetics of Jean Epstein and Edgar Allan Poe
title_full_unstemmed This Magic Moment: the Aesthetics of Jean Epstein and Edgar Allan Poe
title_short This Magic Moment: the Aesthetics of Jean Epstein and Edgar Allan Poe
title_sort this magic moment the aesthetics of jean epstein and edgar allan poe
topic jean epstein
edgar allan poe
triptych
photogénie
experimental cinema
url https://screenworks.org.uk/archive/volume-13-1/this-magic-moment-the-aesthetics-of-jean-epstein-and-edgar-allan-poe
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