Filmmusikken i <i>Nanook of the North</i>: fra kompilasjon til partitur

The article starts with the film's premiere in New York in 1922. With help of 2 cuesheets - probably compiled in 1922 - the music of one scene ("Winter") is examined, before the article takes a look into 2 original scores composed by Stanley Silvermanand Timothy Brock for either VHS o...

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Main Author: Roswitha Skare
Format: Article
Language:English
Published: Septentrio Academic Publishing 2012-05-01
Series:Nordlit: Tidsskrift i litteratur og kultur
Subjects:
Online Access:https://septentrio.uit.no/index.php/nordlit/article/view/2311
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author Roswitha Skare
author_facet Roswitha Skare
author_sort Roswitha Skare
collection DOAJ
description The article starts with the film's premiere in New York in 1922. With help of 2 cuesheets - probably compiled in 1922 - the music of one scene ("Winter") is examined, before the article takes a look into 2 original scores composed by Stanley Silvermanand Timothy Brock for either VHS or DVD editions of the film. It turns out that these original scores give much more priority to the pictures than the music that probably accompanied Nanook in 1922. One explanation for this might be found in the different experiences of today's audiences concerning film in general and film music in particular.
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spelling doaj.art-5ee074f5ee17427fbaf6465dcbd1db2f2024-02-02T05:17:05ZengSeptentrio Academic PublishingNordlit: Tidsskrift i litteratur og kultur0809-16681503-20862012-05-0116110.7557/13.23112148Filmmusikken i <i>Nanook of the North</i>: fra kompilasjon til partiturRoswitha Skare0Universitetet i Tromsø, Fakultet for humaniora, samfunnsvitenskap og lærerutdanning, Institutt for kultur og litteraturThe article starts with the film's premiere in New York in 1922. With help of 2 cuesheets - probably compiled in 1922 - the music of one scene ("Winter") is examined, before the article takes a look into 2 original scores composed by Stanley Silvermanand Timothy Brock for either VHS or DVD editions of the film. It turns out that these original scores give much more priority to the pictures than the music that probably accompanied Nanook in 1922. One explanation for this might be found in the different experiences of today's audiences concerning film in general and film music in particular.https://septentrio.uit.no/index.php/nordlit/article/view/2311Nanook of the Northstumfilmfilmmusikkkompilasjoncue sheetErnst Luz
spellingShingle Roswitha Skare
Filmmusikken i <i>Nanook of the North</i>: fra kompilasjon til partitur
Nordlit: Tidsskrift i litteratur og kultur
Nanook of the North
stumfilm
filmmusikk
kompilasjon
cue sheet
Ernst Luz
title Filmmusikken i <i>Nanook of the North</i>: fra kompilasjon til partitur
title_full Filmmusikken i <i>Nanook of the North</i>: fra kompilasjon til partitur
title_fullStr Filmmusikken i <i>Nanook of the North</i>: fra kompilasjon til partitur
title_full_unstemmed Filmmusikken i <i>Nanook of the North</i>: fra kompilasjon til partitur
title_short Filmmusikken i <i>Nanook of the North</i>: fra kompilasjon til partitur
title_sort filmmusikken i i nanook of the north i fra kompilasjon til partitur
topic Nanook of the North
stumfilm
filmmusikk
kompilasjon
cue sheet
Ernst Luz
url https://septentrio.uit.no/index.php/nordlit/article/view/2311
work_keys_str_mv AT roswithaskare filmmusikkeniinanookofthenorthifrakompilasjontilpartitur