Amelia Rosselli reads Dante. The fifth canto of the “Inferno” in “War Variations”
Through the textual analysis of eight poems from Variazioni belliche, the article intends to demonstrate how Amelia Rosselli’s appropriation of Inferno vmainly presents a metapoetic connotation. Dantean echoes in Poesie (1959), the collection's first section, embody a kind of poetry in which th...
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Format: | Article |
Language: | English |
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University of Bologna
2022-10-01
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Series: | Finzioni |
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Online Access: | https://finzioni.unibo.it/article/view/15622 |
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author | Clara Santarelli |
author_facet | Clara Santarelli |
author_sort | Clara Santarelli |
collection | DOAJ |
description | Through the textual analysis of eight poems from Variazioni belliche, the article intends to demonstrate how Amelia Rosselli’s appropriation of Inferno vmainly presents a metapoetic connotation. Dantean echoes in Poesie (1959), the collection's first section, embody a kind of poetry in which the lyrical I has a distinctive role – hence, the use of the free verse, even if already projected towards the spazio metrico, the fixed form which has the task to distinguish Rosselli’s poetry from the previous lyrical tradition. On the contrary, in Variazioni (1960-1961), the second section of the volume, the strong lyrical subject conveyed by Paolo and Francesca’s canto collides with the «pretesa di universalità» of Rosselli’s new poetic form. This conflict results in a deep fracture within the lyrical voice. |
first_indexed | 2024-04-11T09:32:13Z |
format | Article |
id | doaj.art-5ef61ec2e346484286c0b55e6ff37388 |
institution | Directory Open Access Journal |
issn | 2785-2288 |
language | English |
last_indexed | 2024-04-11T09:32:13Z |
publishDate | 2022-10-01 |
publisher | University of Bologna |
record_format | Article |
series | Finzioni |
spelling | doaj.art-5ef61ec2e346484286c0b55e6ff373882022-12-22T04:31:49ZengUniversity of BolognaFinzioni2785-22882022-10-012310713610.6092/issn.2785-2288/1562213964Amelia Rosselli reads Dante. The fifth canto of the “Inferno” in “War Variations”Clara Santarelli0Università di BolognaThrough the textual analysis of eight poems from Variazioni belliche, the article intends to demonstrate how Amelia Rosselli’s appropriation of Inferno vmainly presents a metapoetic connotation. Dantean echoes in Poesie (1959), the collection's first section, embody a kind of poetry in which the lyrical I has a distinctive role – hence, the use of the free verse, even if already projected towards the spazio metrico, the fixed form which has the task to distinguish Rosselli’s poetry from the previous lyrical tradition. On the contrary, in Variazioni (1960-1961), the second section of the volume, the strong lyrical subject conveyed by Paolo and Francesca’s canto collides with the «pretesa di universalità» of Rosselli’s new poetic form. This conflict results in a deep fracture within the lyrical voice.https://finzioni.unibo.it/article/view/15622amelia rossellidanteinferno vintertextualitymetric space |
spellingShingle | Clara Santarelli Amelia Rosselli reads Dante. The fifth canto of the “Inferno” in “War Variations” Finzioni amelia rosselli dante inferno v intertextuality metric space |
title | Amelia Rosselli reads Dante. The fifth canto of the “Inferno” in “War Variations” |
title_full | Amelia Rosselli reads Dante. The fifth canto of the “Inferno” in “War Variations” |
title_fullStr | Amelia Rosselli reads Dante. The fifth canto of the “Inferno” in “War Variations” |
title_full_unstemmed | Amelia Rosselli reads Dante. The fifth canto of the “Inferno” in “War Variations” |
title_short | Amelia Rosselli reads Dante. The fifth canto of the “Inferno” in “War Variations” |
title_sort | amelia rosselli reads dante the fifth canto of the inferno in war variations |
topic | amelia rosselli dante inferno v intertextuality metric space |
url | https://finzioni.unibo.it/article/view/15622 |
work_keys_str_mv | AT clarasantarelli ameliarossellireadsdantethefifthcantooftheinfernoinwarvariations |