Images of Fish on Glazed Byzantine Ceramics of the 12th – 13th Centuries. Stylistic Groups

Introduction. The study of zoomorphic ornamental motifs on specific types of glazed ceramics is an important direction of Byzantine archeology. In this case, we will be interested in the images of fish that are found on some types of Byzantine glazed ceramics of the second half of 12th – se...

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Main Author: Vadim Maiko
Format: Article
Language:Russian
Published: Volgograd State University 2023-12-01
Series:Вестник Волгоградского государственного университета. Серия 4. История, регионоведение, международные отношения
Online Access:https://hfrir.jvolsu.com/index.php/en/component/attachments/download/3266
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author Vadim Maiko
author_facet Vadim Maiko
author_sort Vadim Maiko
collection DOAJ
description Introduction. The study of zoomorphic ornamental motifs on specific types of glazed ceramics is an important direction of Byzantine archeology. In this case, we will be interested in the images of fish that are found on some types of Byzantine glazed ceramics of the second half of 12th – second half of 13th century. Since the ceramic production of this group of vessels was a separate area, both the material and spiritual culture of the Byzantines, especially in the specified chronological period, it was chosen as the subject of research. The source base of the work is made up of all published and available materials of archaeological research, both Constantinople and the cities of the Byzantine provinces. Particular attention is paid to the correspondence of each of the highlighted images on a specific type of glazed ware to finds on the territory of medieval Taurica. Despite the publication of the material used, including the Crimean, these findings were not analyzed in the complex. Methods and materials. Standard methods of comparative stylistic analysis were used. Analysis. The use of a large number of sources allows for the first time to raise the question of the existence of several stylistic groups of fish within the same craft workshops. Results. The findings make it possible to distinguish five stylistic image groups and match them with two large groups of Byzantine glazed ceramics of Middle Byzantine Production, primarily Fine Sgraffito Ware and Incised Sgraffito or Aegean Ware. Images of fish on Cypriot ceramics are also briefly analyzed. The image of fish on the vessels of Italian workshops is a separate area of research and is not considered in the work.
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series Вестник Волгоградского государственного университета. Серия 4. История, регионоведение, международные отношения
spelling doaj.art-5f0a857851574f6b9a0b21da9cd9852c2024-03-22T05:33:34ZrusVolgograd State UniversityВестник Волгоградского государственного университета. Серия 4. История, регионоведение, международные отношения1998-99382023-12-016132410.15688/jvolsu4.2023.6.2Images of Fish on Glazed Byzantine Ceramics of the 12th – 13th Centuries. Stylistic GroupsVadim Maikohttps://orcid.org/0000-0003-1065-4836 Introduction. The study of zoomorphic ornamental motifs on specific types of glazed ceramics is an important direction of Byzantine archeology. In this case, we will be interested in the images of fish that are found on some types of Byzantine glazed ceramics of the second half of 12th – second half of 13th century. Since the ceramic production of this group of vessels was a separate area, both the material and spiritual culture of the Byzantines, especially in the specified chronological period, it was chosen as the subject of research. The source base of the work is made up of all published and available materials of archaeological research, both Constantinople and the cities of the Byzantine provinces. Particular attention is paid to the correspondence of each of the highlighted images on a specific type of glazed ware to finds on the territory of medieval Taurica. Despite the publication of the material used, including the Crimean, these findings were not analyzed in the complex. Methods and materials. Standard methods of comparative stylistic analysis were used. Analysis. The use of a large number of sources allows for the first time to raise the question of the existence of several stylistic groups of fish within the same craft workshops. Results. The findings make it possible to distinguish five stylistic image groups and match them with two large groups of Byzantine glazed ceramics of Middle Byzantine Production, primarily Fine Sgraffito Ware and Incised Sgraffito or Aegean Ware. Images of fish on Cypriot ceramics are also briefly analyzed. The image of fish on the vessels of Italian workshops is a separate area of research and is not considered in the work.https://hfrir.jvolsu.com/index.php/en/component/attachments/download/3266
spellingShingle Vadim Maiko
Images of Fish on Glazed Byzantine Ceramics of the 12th – 13th Centuries. Stylistic Groups
Вестник Волгоградского государственного университета. Серия 4. История, регионоведение, международные отношения
title Images of Fish on Glazed Byzantine Ceramics of the 12th – 13th Centuries. Stylistic Groups
title_full Images of Fish on Glazed Byzantine Ceramics of the 12th – 13th Centuries. Stylistic Groups
title_fullStr Images of Fish on Glazed Byzantine Ceramics of the 12th – 13th Centuries. Stylistic Groups
title_full_unstemmed Images of Fish on Glazed Byzantine Ceramics of the 12th – 13th Centuries. Stylistic Groups
title_short Images of Fish on Glazed Byzantine Ceramics of the 12th – 13th Centuries. Stylistic Groups
title_sort images of fish on glazed byzantine ceramics of the 12th 13th centuries stylistic groups
url https://hfrir.jvolsu.com/index.php/en/component/attachments/download/3266
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