SURONO'S CROSS-STYLED CREATION IN THE SHADOW PUPPET PERFORMANCE
Surono Gondo Taruno's shadow puppet (wayang kulit) performance has a distinctive cross-style, making him a famous puppeteer in East Java. Accordingly, this discussion seeks to answer the question, "What is the cross-style of Surono's wayang figures in the Wahyu Wijaya Kusuma play? Thi...
| Main Authors: | , |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
ISI Press
2023-05-01
|
| Series: | Artistic |
| Subjects: | |
| Online Access: | https://jurnal.isi-ska.ac.id/index.php/artistic/article/view/5068 |
| _version_ | 1827920780734758912 |
|---|---|
| author | Chatur Rhama Tatik Harpawati |
| author_facet | Chatur Rhama Tatik Harpawati |
| author_sort | Chatur Rhama |
| collection | DOAJ |
| description | Surono Gondo Taruno's shadow puppet (wayang kulit) performance has a distinctive cross-style, making him a famous puppeteer in East Java. Accordingly, this discussion seeks to answer the question, "What is the cross-style of Surono's wayang figures in the Wahyu Wijaya Kusuma play? This discussion uses a qualitative method with Sunardi and Umar Kayam's cross-styled approach. Observational and interview-based were analyzed descriptively and qualitatively. The study results indicate that Surono's performance uses a cross-styled approach between the Surakarta style as the dominant style and the East Java and the Yogyakarta styles as the supporters. Surono's cross-style has made his performance attractive to contemporary spectators. |
| first_indexed | 2024-03-13T04:16:37Z |
| format | Article |
| id | doaj.art-5f5031103dd14a1a906a71aa542108de |
| institution | Directory Open Access Journal |
| issn | 2721-9445 2721-9321 |
| language | English |
| last_indexed | 2024-03-13T04:16:37Z |
| publishDate | 2023-05-01 |
| publisher | ISI Press |
| record_format | Article |
| series | Artistic |
| spelling | doaj.art-5f5031103dd14a1a906a71aa542108de2023-06-21T01:41:27ZengISI PressArtistic2721-94452721-93212023-05-0141275010.33153/artistic.v4i1.50683271SURONO'S CROSS-STYLED CREATION IN THE SHADOW PUPPET PERFORMANCEChatur Rhama0Tatik Harpawati1ISI SurakartaISI SurakartaSurono Gondo Taruno's shadow puppet (wayang kulit) performance has a distinctive cross-style, making him a famous puppeteer in East Java. Accordingly, this discussion seeks to answer the question, "What is the cross-style of Surono's wayang figures in the Wahyu Wijaya Kusuma play? This discussion uses a qualitative method with Sunardi and Umar Kayam's cross-styled approach. Observational and interview-based were analyzed descriptively and qualitatively. The study results indicate that Surono's performance uses a cross-styled approach between the Surakarta style as the dominant style and the East Java and the Yogyakarta styles as the supporters. Surono's cross-style has made his performance attractive to contemporary spectators.https://jurnal.isi-ska.ac.id/index.php/artistic/article/view/5068cross stylewayangeast javasurono |
| spellingShingle | Chatur Rhama Tatik Harpawati SURONO'S CROSS-STYLED CREATION IN THE SHADOW PUPPET PERFORMANCE Artistic cross style wayang east java surono |
| title | SURONO'S CROSS-STYLED CREATION IN THE SHADOW PUPPET PERFORMANCE |
| title_full | SURONO'S CROSS-STYLED CREATION IN THE SHADOW PUPPET PERFORMANCE |
| title_fullStr | SURONO'S CROSS-STYLED CREATION IN THE SHADOW PUPPET PERFORMANCE |
| title_full_unstemmed | SURONO'S CROSS-STYLED CREATION IN THE SHADOW PUPPET PERFORMANCE |
| title_short | SURONO'S CROSS-STYLED CREATION IN THE SHADOW PUPPET PERFORMANCE |
| title_sort | surono s cross styled creation in the shadow puppet performance |
| topic | cross style wayang east java surono |
| url | https://jurnal.isi-ska.ac.id/index.php/artistic/article/view/5068 |
| work_keys_str_mv | AT chaturrhama suronoscrossstyledcreationintheshadowpuppetperformance AT tatikharpawati suronoscrossstyledcreationintheshadowpuppetperformance |