The Third dimension Design of glass painting art between theory and application

the glass painting art has a qualitative development according to the design trends and styles development and the ability of development of technologies to express the aesthetic and functional requirements of the design itself, So The problem of design is appeared in expression the third dimension...

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Main Author: Yasser El Bendary
Format: Article
Language:Arabic
Published: Arab Association for Islamic Civilization and Art 2019-05-01
Series:Journal of Architecture, Art & Humanistic Science
Subjects:
Online Access:https://mjaf.journals.ekb.eg/article_30423.html
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author Yasser El Bendary
author_facet Yasser El Bendary
author_sort Yasser El Bendary
collection DOAJ
description the glass painting art has a qualitative development according to the design trends and styles development and the ability of development of technologies to express the aesthetic and functional requirements of the design itself, So The problem of design is appeared in expression the third dimension of the glass painting art to show the shape ,the form and the perspective by using the basic forming elements, this is the biggest problem faced designers when they design glass painting art, Which requires formulate alternatives and solutions for design problem in order to activate the ability to design the third dimension that is compatible with the design requirement and the desire of the designers and artists, and Because of the ordinary techniques, the technology of applying on the glass surface did not achieve the requirements and design variables and application for the appearance of the glass surface, Although these ordinary techniques were able to express the aesthetics of design, they were unable to express (simulate or create) to the many styles and trends of glass panting art . And because the oil colors drawing has ability and unique aesthetics in design like rich texture “Physical and sensory”, different techniques ,color forming, construction method and applications because of the variety of shaping tools and the nature and type of raw materials and intermediate with their individual characteristic, For this purpose, we choose oil painting method and its methodology to be a reference case study to develop the design integrated system of the (appearance of the glass surface, its application, selection of its materials, appropriate tools and techniques) to expresses the aesthetics of glass panting art, In order to absorb many of the aesthetics on glass painting art by inspiring Third dimension Design in glass painting art to confirm the third dimension by sense, or design and application a relief texture with special colors and tools to confirm the physical third dimension on the glass surface.
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spelling doaj.art-5f5285dcdbd34235b53f2ba7f439850e2022-12-21T20:48:34ZaraArab Association for Islamic Civilization and ArtJournal of Architecture, Art & Humanistic Science2356-96542357-03422019-05-0141568370510.21608/mjaf.2019.11802.1124The Third dimension Design of glass painting art between theory and applicationYasser El Bendary0Assistant Professor in, glass department, faculty of applied arts, Helwan Universitythe glass painting art has a qualitative development according to the design trends and styles development and the ability of development of technologies to express the aesthetic and functional requirements of the design itself, So The problem of design is appeared in expression the third dimension of the glass painting art to show the shape ,the form and the perspective by using the basic forming elements, this is the biggest problem faced designers when they design glass painting art, Which requires formulate alternatives and solutions for design problem in order to activate the ability to design the third dimension that is compatible with the design requirement and the desire of the designers and artists, and Because of the ordinary techniques, the technology of applying on the glass surface did not achieve the requirements and design variables and application for the appearance of the glass surface, Although these ordinary techniques were able to express the aesthetics of design, they were unable to express (simulate or create) to the many styles and trends of glass panting art . And because the oil colors drawing has ability and unique aesthetics in design like rich texture “Physical and sensory”, different techniques ,color forming, construction method and applications because of the variety of shaping tools and the nature and type of raw materials and intermediate with their individual characteristic, For this purpose, we choose oil painting method and its methodology to be a reference case study to develop the design integrated system of the (appearance of the glass surface, its application, selection of its materials, appropriate tools and techniques) to expresses the aesthetics of glass panting art, In order to absorb many of the aesthetics on glass painting art by inspiring Third dimension Design in glass painting art to confirm the third dimension by sense, or design and application a relief texture with special colors and tools to confirm the physical third dimension on the glass surface.https://mjaf.journals.ekb.eg/article_30423.htmldesign; third dimension; painting art; glass
spellingShingle Yasser El Bendary
The Third dimension Design of glass painting art between theory and application
Journal of Architecture, Art & Humanistic Science
design; third dimension; painting art; glass
title The Third dimension Design of glass painting art between theory and application
title_full The Third dimension Design of glass painting art between theory and application
title_fullStr The Third dimension Design of glass painting art between theory and application
title_full_unstemmed The Third dimension Design of glass painting art between theory and application
title_short The Third dimension Design of glass painting art between theory and application
title_sort third dimension design of glass painting art between theory and application
topic design; third dimension; painting art; glass
url https://mjaf.journals.ekb.eg/article_30423.html
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