Princess Brambilla - images/text
Read the illustrated literary text is simultaneously think pictures and words. This articulation between the written text and pictures adds potential, expands and becomes complex. Coincides with nowadays discussions on Giorgio Agamben's "contemporary" that add to what adheres to respe...
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Format: | Article |
Language: | English |
Published: |
Universidade Federal de Santa Catarina
2016-01-01
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Series: | Cadernos de Tradução |
Subjects: | |
Online Access: | https://periodicos.ufsc.br/index.php/traducao/article/view/2175-7968.2016v36n1p79/31093 |
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author | Maria Aparecida Barbosa |
author_facet | Maria Aparecida Barbosa |
author_sort | Maria Aparecida Barbosa |
collection | DOAJ |
description | Read the illustrated literary text is simultaneously think pictures and words. This articulation between the written text and pictures adds potential, expands and becomes complex. Coincides with nowadays discussions on Giorgio Agamben's "contemporary" that add to what adheres to respectively time the displacement and the distance needed to understand it, shakes linear notions of historical chronology. Somehow the coincidence is related to the current interest in the concept of "Nachleben" (survival), which assumes the images of the past ransom, postulated by the art historian Aby Warburg in a research on ancient art of motion characteristics in Renaissance pictures Botticelli's. For the translation of the Princesa Brambilla – um capriccio segundo Jakob Callot, de E. T. A. Hoffmann, com 8 gravuras cunhadas a partir de moldes originais de Callot (1820) to Portuguese such discussions were fundamental, as I try to present in this article. |
first_indexed | 2024-04-12T04:28:56Z |
format | Article |
id | doaj.art-5f5de724d9534d21a28be30d5f765898 |
institution | Directory Open Access Journal |
issn | 1414-526X 2175-7968 |
language | English |
last_indexed | 2024-04-12T04:28:56Z |
publishDate | 2016-01-01 |
publisher | Universidade Federal de Santa Catarina |
record_format | Article |
series | Cadernos de Tradução |
spelling | doaj.art-5f5de724d9534d21a28be30d5f7658982022-12-22T03:47:59ZengUniversidade Federal de Santa CatarinaCadernos de Tradução1414-526X2175-79682016-01-013617991Princess Brambilla - images/textMaria Aparecida Barbosa0Universidade Federal de Santa CatarinaRead the illustrated literary text is simultaneously think pictures and words. This articulation between the written text and pictures adds potential, expands and becomes complex. Coincides with nowadays discussions on Giorgio Agamben's "contemporary" that add to what adheres to respectively time the displacement and the distance needed to understand it, shakes linear notions of historical chronology. Somehow the coincidence is related to the current interest in the concept of "Nachleben" (survival), which assumes the images of the past ransom, postulated by the art historian Aby Warburg in a research on ancient art of motion characteristics in Renaissance pictures Botticelli's. For the translation of the Princesa Brambilla – um capriccio segundo Jakob Callot, de E. T. A. Hoffmann, com 8 gravuras cunhadas a partir de moldes originais de Callot (1820) to Portuguese such discussions were fundamental, as I try to present in this article.https://periodicos.ufsc.br/index.php/traducao/article/view/2175-7968.2016v36n1p79/31093Poetic translationIllustrationWriting-Picture |
spellingShingle | Maria Aparecida Barbosa Princess Brambilla - images/text Cadernos de Tradução Poetic translation Illustration Writing-Picture |
title | Princess Brambilla - images/text |
title_full | Princess Brambilla - images/text |
title_fullStr | Princess Brambilla - images/text |
title_full_unstemmed | Princess Brambilla - images/text |
title_short | Princess Brambilla - images/text |
title_sort | princess brambilla images text |
topic | Poetic translation Illustration Writing-Picture |
url | https://periodicos.ufsc.br/index.php/traducao/article/view/2175-7968.2016v36n1p79/31093 |
work_keys_str_mv | AT mariaaparecidabarbosa princessbrambillaimagestext |