Princess Brambilla - images/text

Read the illustrated literary text is simultaneously think pictures and words. This articulation between the written text and pictures adds potential, expands and becomes complex. Coincides with nowadays discussions on Giorgio Agamben's "contemporary" that add to what adheres to respe...

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Main Author: Maria Aparecida Barbosa
Format: Article
Language:English
Published: Universidade Federal de Santa Catarina 2016-01-01
Series:Cadernos de Tradução
Subjects:
Online Access:https://periodicos.ufsc.br/index.php/traducao/article/view/2175-7968.2016v36n1p79/31093
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author Maria Aparecida Barbosa
author_facet Maria Aparecida Barbosa
author_sort Maria Aparecida Barbosa
collection DOAJ
description Read the illustrated literary text is simultaneously think pictures and words. This articulation between the written text and pictures adds potential, expands and becomes complex. Coincides with nowadays discussions on Giorgio Agamben's "contemporary" that add to what adheres to respectively time the displacement and the distance needed to understand it, shakes linear notions of historical chronology. Somehow the coincidence is related to the current interest in the concept of "Nachleben" (survival), which assumes the images of the past ransom, postulated by the art historian Aby Warburg in a research on ancient art of motion characteristics in Renaissance pictures Botticelli's. For the translation of the Princesa Brambilla – um capriccio segundo Jakob Callot, de E. T. A. Hoffmann, com 8 gravuras cunhadas a partir de moldes originais de Callot (1820) to Portuguese such discussions were fundamental, as I try to present in this article.
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spelling doaj.art-5f5de724d9534d21a28be30d5f7658982022-12-22T03:47:59ZengUniversidade Federal de Santa CatarinaCadernos de Tradução1414-526X2175-79682016-01-013617991Princess Brambilla - images/textMaria Aparecida Barbosa0Universidade Federal de Santa CatarinaRead the illustrated literary text is simultaneously think pictures and words. This articulation between the written text and pictures adds potential, expands and becomes complex. Coincides with nowadays discussions on Giorgio Agamben's "contemporary" that add to what adheres to respectively time the displacement and the distance needed to understand it, shakes linear notions of historical chronology. Somehow the coincidence is related to the current interest in the concept of "Nachleben" (survival), which assumes the images of the past ransom, postulated by the art historian Aby Warburg in a research on ancient art of motion characteristics in Renaissance pictures Botticelli's. For the translation of the Princesa Brambilla – um capriccio segundo Jakob Callot, de E. T. A. Hoffmann, com 8 gravuras cunhadas a partir de moldes originais de Callot (1820) to Portuguese such discussions were fundamental, as I try to present in this article.https://periodicos.ufsc.br/index.php/traducao/article/view/2175-7968.2016v36n1p79/31093Poetic translationIllustrationWriting-Picture
spellingShingle Maria Aparecida Barbosa
Princess Brambilla - images/text
Cadernos de Tradução
Poetic translation
Illustration
Writing-Picture
title Princess Brambilla - images/text
title_full Princess Brambilla - images/text
title_fullStr Princess Brambilla - images/text
title_full_unstemmed Princess Brambilla - images/text
title_short Princess Brambilla - images/text
title_sort princess brambilla images text
topic Poetic translation
Illustration
Writing-Picture
url https://periodicos.ufsc.br/index.php/traducao/article/view/2175-7968.2016v36n1p79/31093
work_keys_str_mv AT mariaaparecidabarbosa princessbrambillaimagestext