305 Reflections: Remade, Reworked, Reimagined: Sally Brown talks about place

For quite a long time it has been claimed that cultural production in Tasmania has an inimitable and idiosyncratic place within the scheme of things. Sally Brown, a young Tasmanian designer, maker, artist, is unlikely to make this kind of claim for her work. Nonetheless, there is a particular sensib...

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Bibliographic Details
Main Authors: Sally Brown, Ray Norman, Bill Boyd
Format: Article
Language:English
Published: Universitat de Barcelona 2013-10-01
Series:Coolabah
Subjects:
Online Access:http://revistes.ub.edu/index.php/coolabah/article/view/15603/18729
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author Sally Brown
Ray Norman
Bill Boyd
author_facet Sally Brown
Ray Norman
Bill Boyd
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description For quite a long time it has been claimed that cultural production in Tasmania has an inimitable and idiosyncratic place within the scheme of things. Sally Brown, a young Tasmanian designer, maker, artist, is unlikely to make this kind of claim for her work. Nonetheless, there is a particular sensibility evident in her work that it is doubtful that one might find anywhere other than in Tasmania – or made by someone of an older generation. This paper attempts to unpick, through four reflections upon Sally’s work, some of the thinking to do with the placedness, the vernacular social paradigm, the subliminal politics, the ‘crafting’ and the cultural savvy that gives Sally Brown’s work its presence. The questions that hang in the air around a collection of Sally Brown’s work are those to do with the ways local cultural imperatives might shape and make places they are found in, and in what ways might places shape the cultural realities that inhabit them. The following reflections on Sally’s work are distilled from email and blog conversations.
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spelling doaj.art-5f73a6b25dcf4af6b41fd2befd918adc2022-12-22T03:18:19ZengUniversitat de BarcelonaCoolabah1988-59462013-10-011130531410.1344/co201311305-314305 Reflections: Remade, Reworked, Reimagined: Sally Brown talks about placeSally Brown0Ray Norman1Bill Boyd2Independent ArtistIndependent ArtistSouthern Cross UniversityFor quite a long time it has been claimed that cultural production in Tasmania has an inimitable and idiosyncratic place within the scheme of things. Sally Brown, a young Tasmanian designer, maker, artist, is unlikely to make this kind of claim for her work. Nonetheless, there is a particular sensibility evident in her work that it is doubtful that one might find anywhere other than in Tasmania – or made by someone of an older generation. This paper attempts to unpick, through four reflections upon Sally’s work, some of the thinking to do with the placedness, the vernacular social paradigm, the subliminal politics, the ‘crafting’ and the cultural savvy that gives Sally Brown’s work its presence. The questions that hang in the air around a collection of Sally Brown’s work are those to do with the ways local cultural imperatives might shape and make places they are found in, and in what ways might places shape the cultural realities that inhabit them. The following reflections on Sally’s work are distilled from email and blog conversations.http://revistes.ub.edu/index.php/coolabah/article/view/15603/18729Sally BrownTasmaniaArtDesign
spellingShingle Sally Brown
Ray Norman
Bill Boyd
305 Reflections: Remade, Reworked, Reimagined: Sally Brown talks about place
Coolabah
Sally Brown
Tasmania
Art
Design
title 305 Reflections: Remade, Reworked, Reimagined: Sally Brown talks about place
title_full 305 Reflections: Remade, Reworked, Reimagined: Sally Brown talks about place
title_fullStr 305 Reflections: Remade, Reworked, Reimagined: Sally Brown talks about place
title_full_unstemmed 305 Reflections: Remade, Reworked, Reimagined: Sally Brown talks about place
title_short 305 Reflections: Remade, Reworked, Reimagined: Sally Brown talks about place
title_sort 305 reflections remade reworked reimagined sally brown talks about place
topic Sally Brown
Tasmania
Art
Design
url http://revistes.ub.edu/index.php/coolabah/article/view/15603/18729
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