Il potere del fischio. Un percorso tra usi e riusi cinematografici

Since the advent of sound cinema, human whistling has been used in a wide range of situations, from the light-hearted to the eerie. Despite their apparent simplicity, whistled melodies can play a central role in the sonic dramaturgy of a film, thanks in part to their timbral characteristics, which p...

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Main Author: Marco Cosci
Format: Article
Language:deu
Published: University of Bologna 2023-12-01
Series:Musica Docta
Subjects:
Online Access:https://musicadocta.unibo.it/article/view/18639
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author Marco Cosci
author_facet Marco Cosci
author_sort Marco Cosci
collection DOAJ
description Since the advent of sound cinema, human whistling has been used in a wide range of situations, from the light-hearted to the eerie. Despite their apparent simplicity, whistled melodies can play a central role in the sonic dramaturgy of a film, thanks in part to their timbral characteristics, which place whistling in a fluid space between the vocal and instrumental domains. This educational path is addressed to students of theory, analysis, and composition, as well as to students of music history in music high schools, and to students of related musical disciplines in conservatories and university courses. The aim is to provide analytical tools for understanding the fundamental role of such music in multimedia communication by analyzing some illustrative film sequences with whistled music. For that purpose, some key concepts will be explained to frame audiovisual construction strategies, providing research methods and skills applicable to other soundtrack elements. Finally, attention is drawn to the processes of re-semantization activated by the citation of pre-existing music, taking into account intertextual and intermedial references.
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spelling doaj.art-5fefe7fe96bf4f109c4899ed933396682023-12-15T14:14:45ZdeuUniversity of BolognaMusica Docta2039-97152023-12-011316317910.6092/issn.2039-9715/1863916998Il potere del fischio. Un percorso tra usi e riusi cinematograficiMarco Cosci0Università di Pavia-CremonaSince the advent of sound cinema, human whistling has been used in a wide range of situations, from the light-hearted to the eerie. Despite their apparent simplicity, whistled melodies can play a central role in the sonic dramaturgy of a film, thanks in part to their timbral characteristics, which place whistling in a fluid space between the vocal and instrumental domains. This educational path is addressed to students of theory, analysis, and composition, as well as to students of music history in music high schools, and to students of related musical disciplines in conservatories and university courses. The aim is to provide analytical tools for understanding the fundamental role of such music in multimedia communication by analyzing some illustrative film sequences with whistled music. For that purpose, some key concepts will be explained to frame audiovisual construction strategies, providing research methods and skills applicable to other soundtrack elements. Finally, attention is drawn to the processes of re-semantization activated by the citation of pre-existing music, taking into account intertextual and intermedial references.https://musicadocta.unibo.it/article/view/18639whistleaudiovisual analysisleonard bernsteinquentin tarantinopre-existing music
spellingShingle Marco Cosci
Il potere del fischio. Un percorso tra usi e riusi cinematografici
Musica Docta
whistle
audiovisual analysis
leonard bernstein
quentin tarantino
pre-existing music
title Il potere del fischio. Un percorso tra usi e riusi cinematografici
title_full Il potere del fischio. Un percorso tra usi e riusi cinematografici
title_fullStr Il potere del fischio. Un percorso tra usi e riusi cinematografici
title_full_unstemmed Il potere del fischio. Un percorso tra usi e riusi cinematografici
title_short Il potere del fischio. Un percorso tra usi e riusi cinematografici
title_sort il potere del fischio un percorso tra usi e riusi cinematografici
topic whistle
audiovisual analysis
leonard bernstein
quentin tarantino
pre-existing music
url https://musicadocta.unibo.it/article/view/18639
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