Phantoms of hysteria—Novelistic phantasmagoria in Lesego Rampolokeng’s whiteheart: Prologue to Hysteria

This article examines how the narrator in Lesego Rampolokeng’s Whiteheart: Prologue to Hysteria (hereafter designated as W/H) deploys spectres of hysteria as a novelistic phantasmagoria to challenge the subject in the fictive post-apartheid South Africa and re-examine how spectres of Apartheid devou...

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Main Authors: Ibrahim Wachira, Kimani Kaigai, Mugo Muhia
Format: Article
Language:English
Published: Taylor & Francis Group 2018-01-01
Series:Cogent Arts & Humanities
Subjects:
Online Access:http://dx.doi.org/10.1080/23311983.2018.1425233
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author Ibrahim Wachira
Kimani Kaigai
Mugo Muhia
author_facet Ibrahim Wachira
Kimani Kaigai
Mugo Muhia
author_sort Ibrahim Wachira
collection DOAJ
description This article examines how the narrator in Lesego Rampolokeng’s Whiteheart: Prologue to Hysteria (hereafter designated as W/H) deploys spectres of hysteria as a novelistic phantasmagoria to challenge the subject in the fictive post-apartheid South Africa and re-examine how spectres of Apartheid devour the country through veiled repressive juridical structures. The novel is written in paragraphs/sections which appear to be disjointed, and this forms a problematic of reading and interpreting it as a concrete whole. Subsequently, the critical purview of novelistic phantasmagoria is proposed as the fabric that unites the, otherwise, fragmented paragraphs into an articulate work of literature. Julia Kristeva’s psychoanalytic idea of the “khora” enables this essay to examine how the “mother” pulsating under the symbolic eventually evolves from a nurturer to a devourer. Jacques Lacan’s idea of the “paternal metaphor” aids this article to show how the symbolic (the structural order of the society) may become articulately repressive that the nurturer/mother dialectic (the intricate relationship that makes a people a nation) is blurred. Melaine Klein’s psychoanalytic theory of Projective Identification enables this essay to examine how the narrator in W/H is able to project the phobic object from the khora pulsating below the symbolic into the psyche in order to warn the post-apartheid South African subject against perpetuating oppressive laws that had pitched the country/mother into repression during the apartheid era. Through textual analysis, the essay hopes to validate the assumption that the author deploys novelistic phantasmagoria as a unique imaginative pathway for unlocking a potentially therapeutic space with literary efficacy for freeing South Africa from the disarticulating repressed phobic colonial and apartheid objects of subjugation.
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spelling doaj.art-606e315ce66b4f998c346ee07fab29222022-12-22T00:58:20ZengTaylor & Francis GroupCogent Arts & Humanities2331-19832018-01-015110.1080/23311983.2018.14252331425233Phantoms of hysteria—Novelistic phantasmagoria in Lesego Rampolokeng’s whiteheart: Prologue to HysteriaIbrahim Wachira0Kimani Kaigai1Mugo Muhia2Kenyatta UniversityKenyatta UniversityKenyatta UniversityThis article examines how the narrator in Lesego Rampolokeng’s Whiteheart: Prologue to Hysteria (hereafter designated as W/H) deploys spectres of hysteria as a novelistic phantasmagoria to challenge the subject in the fictive post-apartheid South Africa and re-examine how spectres of Apartheid devour the country through veiled repressive juridical structures. The novel is written in paragraphs/sections which appear to be disjointed, and this forms a problematic of reading and interpreting it as a concrete whole. Subsequently, the critical purview of novelistic phantasmagoria is proposed as the fabric that unites the, otherwise, fragmented paragraphs into an articulate work of literature. Julia Kristeva’s psychoanalytic idea of the “khora” enables this essay to examine how the “mother” pulsating under the symbolic eventually evolves from a nurturer to a devourer. Jacques Lacan’s idea of the “paternal metaphor” aids this article to show how the symbolic (the structural order of the society) may become articulately repressive that the nurturer/mother dialectic (the intricate relationship that makes a people a nation) is blurred. Melaine Klein’s psychoanalytic theory of Projective Identification enables this essay to examine how the narrator in W/H is able to project the phobic object from the khora pulsating below the symbolic into the psyche in order to warn the post-apartheid South African subject against perpetuating oppressive laws that had pitched the country/mother into repression during the apartheid era. Through textual analysis, the essay hopes to validate the assumption that the author deploys novelistic phantasmagoria as a unique imaginative pathway for unlocking a potentially therapeutic space with literary efficacy for freeing South Africa from the disarticulating repressed phobic colonial and apartheid objects of subjugation.http://dx.doi.org/10.1080/23311983.2018.1425233phantasmagoriaspectres of hysterialiterary slideprojection w/h—whiteheart (prologue to hysteria) lesego rampolokeng
spellingShingle Ibrahim Wachira
Kimani Kaigai
Mugo Muhia
Phantoms of hysteria—Novelistic phantasmagoria in Lesego Rampolokeng’s whiteheart: Prologue to Hysteria
Cogent Arts & Humanities
phantasmagoria
spectres of hysteria
literary slide
projection
w/h—whiteheart (prologue to hysteria)
lesego rampolokeng
title Phantoms of hysteria—Novelistic phantasmagoria in Lesego Rampolokeng’s whiteheart: Prologue to Hysteria
title_full Phantoms of hysteria—Novelistic phantasmagoria in Lesego Rampolokeng’s whiteheart: Prologue to Hysteria
title_fullStr Phantoms of hysteria—Novelistic phantasmagoria in Lesego Rampolokeng’s whiteheart: Prologue to Hysteria
title_full_unstemmed Phantoms of hysteria—Novelistic phantasmagoria in Lesego Rampolokeng’s whiteheart: Prologue to Hysteria
title_short Phantoms of hysteria—Novelistic phantasmagoria in Lesego Rampolokeng’s whiteheart: Prologue to Hysteria
title_sort phantoms of hysteria novelistic phantasmagoria in lesego rampolokeng s whiteheart prologue to hysteria
topic phantasmagoria
spectres of hysteria
literary slide
projection
w/h—whiteheart (prologue to hysteria)
lesego rampolokeng
url http://dx.doi.org/10.1080/23311983.2018.1425233
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