Interpreting Othello in the Arabian Gulf: Shakespeare in a Time of Blackface Controversies

This article opens with some brief observations on the phenomenon of Arab blackface—that is, of Arab actors “blacking up” to impersonate black Arab or African characters—from classic cinematic portrayals of the warrior-poet Antara Ibn Shaddad to more recent deployments of blackface in the Arab enter...

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Main Author: Katherine Hennessey
Format: Article
Language:English
Published: Lodz University Press 2020-12-01
Series:Multicultural Shakespeare
Subjects:
Online Access:https://czasopisma.uni.lodz.pl/szekspir/article/view/9362
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author Katherine Hennessey
author_facet Katherine Hennessey
author_sort Katherine Hennessey
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description This article opens with some brief observations on the phenomenon of Arab blackface—that is, of Arab actors “blacking up” to impersonate black Arab or African characters—from classic cinematic portrayals of the warrior-poet Antara Ibn Shaddad to more recent deployments of blackface in the Arab entertainment industry. It then explores the complex nexus of race, gender, citizenship and social status in the Arabian Gulf as context for a critical reflection on the author’s experience of reading and discussing Othello with students at the American University of Kuwait—discussions which took place in the fall of 2019, in the midst of a wave of controversies sparked by instances of Arab blackface on television and in social media.
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spelling doaj.art-60aff7d6d2ad455fb4c380458f6021a82022-12-22T01:10:35ZengLodz University PressMulticultural Shakespeare2300-76052020-12-01223710312310.18778/2083-8530.22.079255Interpreting Othello in the Arabian Gulf: Shakespeare in a Time of Blackface ControversiesKatherine Hennessey0Assistant Professor of English, American University of Kuwait, and (in 2020) Research Fellow, National Endowment for the HumanitiesThis article opens with some brief observations on the phenomenon of Arab blackface—that is, of Arab actors “blacking up” to impersonate black Arab or African characters—from classic cinematic portrayals of the warrior-poet Antara Ibn Shaddad to more recent deployments of blackface in the Arab entertainment industry. It then explores the complex nexus of race, gender, citizenship and social status in the Arabian Gulf as context for a critical reflection on the author’s experience of reading and discussing Othello with students at the American University of Kuwait—discussions which took place in the fall of 2019, in the midst of a wave of controversies sparked by instances of Arab blackface on television and in social media.https://czasopisma.uni.lodz.pl/szekspir/article/view/9362shakespeareothelloantara ibn shaddadblackfacearab blackfacekuwaitegyptarab/ic film and theatrearabian gulf
spellingShingle Katherine Hennessey
Interpreting Othello in the Arabian Gulf: Shakespeare in a Time of Blackface Controversies
Multicultural Shakespeare
shakespeare
othello
antara ibn shaddad
blackface
arab blackface
kuwait
egypt
arab/ic film and theatre
arabian gulf
title Interpreting Othello in the Arabian Gulf: Shakespeare in a Time of Blackface Controversies
title_full Interpreting Othello in the Arabian Gulf: Shakespeare in a Time of Blackface Controversies
title_fullStr Interpreting Othello in the Arabian Gulf: Shakespeare in a Time of Blackface Controversies
title_full_unstemmed Interpreting Othello in the Arabian Gulf: Shakespeare in a Time of Blackface Controversies
title_short Interpreting Othello in the Arabian Gulf: Shakespeare in a Time of Blackface Controversies
title_sort interpreting othello in the arabian gulf shakespeare in a time of blackface controversies
topic shakespeare
othello
antara ibn shaddad
blackface
arab blackface
kuwait
egypt
arab/ic film and theatre
arabian gulf
url https://czasopisma.uni.lodz.pl/szekspir/article/view/9362
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