Cormac McCarthy’s The Road Revisited: Memory and Language in Post-Apocalyptic Fiction

During times of existential unease, post-apocalyptic fiction imagines a depopulated world—a world destroyed by war, pestilence, ecocide, or cosmological judgment. It is frequently humanity’s own hand that deals the blow. But the story does not end there, for the post-apocalypse is often a site of su...

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Main Author: Kristjan Mavri
Format: Article
Language:English
Published: University of Zadar 2013-06-01
Series:[sic]
Online Access:http://www.sic-journal.org/ArticleView.aspx?aid=206
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author Kristjan Mavri
author_facet Kristjan Mavri
author_sort Kristjan Mavri
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description During times of existential unease, post-apocalyptic fiction imagines a depopulated world—a world destroyed by war, pestilence, ecocide, or cosmological judgment. It is frequently humanity’s own hand that deals the blow. But the story does not end there, for the post-apocalypse is often a site of survival and of life in the aftermath and there is no situation like the bleak wasteland of Cormac McCarthy’s The Road (2006). Set in a world laid to waste by an unnamed catastrophe, the novel examines what ecological, psychological, and sociological changes take place in the wake of the apocalypse. As the world “before” gives way to the world “after”, so should memory of the past give way to the onset of the future. But one cannot write outside past and memory, just as one cannot write outside language. Try as it might to render a lifeless world, post-apocalyptic fiction—in spite of itself—invokes memory, undoes the ruin, and animates new life into being. Even a post-apocalypse as unforgiving as McCarthy’s cannot be the end of the story, since it is, ultimately, itself a story.
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spelling doaj.art-60b4dc35cc784849ae65a202982503982023-12-23T21:42:23ZengUniversity of Zadar[sic]1847-77552013-06-013210.15291/sic/2.3.lc.2206Cormac McCarthy’s The Road Revisited: Memory and Language in Post-Apocalyptic FictionKristjan MavriDuring times of existential unease, post-apocalyptic fiction imagines a depopulated world—a world destroyed by war, pestilence, ecocide, or cosmological judgment. It is frequently humanity’s own hand that deals the blow. But the story does not end there, for the post-apocalypse is often a site of survival and of life in the aftermath and there is no situation like the bleak wasteland of Cormac McCarthy’s The Road (2006). Set in a world laid to waste by an unnamed catastrophe, the novel examines what ecological, psychological, and sociological changes take place in the wake of the apocalypse. As the world “before” gives way to the world “after”, so should memory of the past give way to the onset of the future. But one cannot write outside past and memory, just as one cannot write outside language. Try as it might to render a lifeless world, post-apocalyptic fiction—in spite of itself—invokes memory, undoes the ruin, and animates new life into being. Even a post-apocalypse as unforgiving as McCarthy’s cannot be the end of the story, since it is, ultimately, itself a story.http://www.sic-journal.org/ArticleView.aspx?aid=206
spellingShingle Kristjan Mavri
Cormac McCarthy’s The Road Revisited: Memory and Language in Post-Apocalyptic Fiction
[sic]
title Cormac McCarthy’s The Road Revisited: Memory and Language in Post-Apocalyptic Fiction
title_full Cormac McCarthy’s The Road Revisited: Memory and Language in Post-Apocalyptic Fiction
title_fullStr Cormac McCarthy’s The Road Revisited: Memory and Language in Post-Apocalyptic Fiction
title_full_unstemmed Cormac McCarthy’s The Road Revisited: Memory and Language in Post-Apocalyptic Fiction
title_short Cormac McCarthy’s The Road Revisited: Memory and Language in Post-Apocalyptic Fiction
title_sort cormac mccarthy s the road revisited memory and language in post apocalyptic fiction
url http://www.sic-journal.org/ArticleView.aspx?aid=206
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