À la lettre (près) : autoportraits de Ralph Eugene Meatyard
This paper proposes to question American photographer Ralph Eugene Meatyard’s tendency to integrate various manifestations of the written sign into a number of his self-portraits. To what extent does the mediation of scriptural forms (if indeed “mediation” is the appropriate term) influence the mode...
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Format: | Article |
Language: | English |
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Laboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA)
2023-06-01
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Series: | E-REA |
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Online Access: | http://journals.openedition.org/erea/16529 |
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author | Jean-Marc VICTOR |
author_facet | Jean-Marc VICTOR |
author_sort | Jean-Marc VICTOR |
collection | DOAJ |
description | This paper proposes to question American photographer Ralph Eugene Meatyard’s tendency to integrate various manifestations of the written sign into a number of his self-portraits. To what extent does the mediation of scriptural forms (if indeed “mediation” is the appropriate term) influence the modes of photographic self-representation as the relation between what can be seen and what can be read in these self-portraits seems to oscillate between equivalence, substitution, complementarity and interference? After a short reminder of the theoretical and historical links between photographic self-portraits and writing, five of such self-portraits by Meatyard are analyzed in order to shed light on this issue. |
first_indexed | 2024-03-13T01:29:04Z |
format | Article |
id | doaj.art-60d41ce2188945c59653109ebf758b3b |
institution | Directory Open Access Journal |
issn | 1638-1718 |
language | English |
last_indexed | 2024-03-13T01:29:04Z |
publishDate | 2023-06-01 |
publisher | Laboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA) |
record_format | Article |
series | E-REA |
spelling | doaj.art-60d41ce2188945c59653109ebf758b3b2023-07-04T09:14:11ZengLaboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA)E-REA1638-17182023-06-0120210.4000/erea.16529À la lettre (près) : autoportraits de Ralph Eugene MeatyardJean-Marc VICTORThis paper proposes to question American photographer Ralph Eugene Meatyard’s tendency to integrate various manifestations of the written sign into a number of his self-portraits. To what extent does the mediation of scriptural forms (if indeed “mediation” is the appropriate term) influence the modes of photographic self-representation as the relation between what can be seen and what can be read in these self-portraits seems to oscillate between equivalence, substitution, complementarity and interference? After a short reminder of the theoretical and historical links between photographic self-portraits and writing, five of such self-portraits by Meatyard are analyzed in order to shed light on this issue.http://journals.openedition.org/erea/16529Ralph Eugene Meatyardphotographic self-portraitintermediality |
spellingShingle | Jean-Marc VICTOR À la lettre (près) : autoportraits de Ralph Eugene Meatyard E-REA Ralph Eugene Meatyard photographic self-portrait intermediality |
title | À la lettre (près) : autoportraits de Ralph Eugene Meatyard |
title_full | À la lettre (près) : autoportraits de Ralph Eugene Meatyard |
title_fullStr | À la lettre (près) : autoportraits de Ralph Eugene Meatyard |
title_full_unstemmed | À la lettre (près) : autoportraits de Ralph Eugene Meatyard |
title_short | À la lettre (près) : autoportraits de Ralph Eugene Meatyard |
title_sort | a la lettre pres autoportraits de ralph eugene meatyard |
topic | Ralph Eugene Meatyard photographic self-portrait intermediality |
url | http://journals.openedition.org/erea/16529 |
work_keys_str_mv | AT jeanmarcvictor alalettrepresautoportraitsderalpheugenemeatyard |