À la lettre (près) : autoportraits de Ralph Eugene Meatyard

This paper proposes to question American photographer Ralph Eugene Meatyard’s tendency to integrate various manifestations of the written sign into a number of his self-portraits. To what extent does the mediation of scriptural forms (if indeed “mediation” is the appropriate term) influence the mode...

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Main Author: Jean-Marc VICTOR
Format: Article
Language:English
Published: Laboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA) 2023-06-01
Series:E-REA
Subjects:
Online Access:http://journals.openedition.org/erea/16529
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author Jean-Marc VICTOR
author_facet Jean-Marc VICTOR
author_sort Jean-Marc VICTOR
collection DOAJ
description This paper proposes to question American photographer Ralph Eugene Meatyard’s tendency to integrate various manifestations of the written sign into a number of his self-portraits. To what extent does the mediation of scriptural forms (if indeed “mediation” is the appropriate term) influence the modes of photographic self-representation as the relation between what can be seen and what can be read in these self-portraits seems to oscillate between equivalence, substitution, complementarity and interference? After a short reminder of the theoretical and historical links between photographic self-portraits and writing, five of such self-portraits by Meatyard are analyzed in order to shed light on this issue.
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spelling doaj.art-60d41ce2188945c59653109ebf758b3b2023-07-04T09:14:11ZengLaboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA)E-REA1638-17182023-06-0120210.4000/erea.16529À la lettre (près) : autoportraits de Ralph Eugene MeatyardJean-Marc VICTORThis paper proposes to question American photographer Ralph Eugene Meatyard’s tendency to integrate various manifestations of the written sign into a number of his self-portraits. To what extent does the mediation of scriptural forms (if indeed “mediation” is the appropriate term) influence the modes of photographic self-representation as the relation between what can be seen and what can be read in these self-portraits seems to oscillate between equivalence, substitution, complementarity and interference? After a short reminder of the theoretical and historical links between photographic self-portraits and writing, five of such self-portraits by Meatyard are analyzed in order to shed light on this issue.http://journals.openedition.org/erea/16529Ralph Eugene Meatyardphotographic self-portraitintermediality
spellingShingle Jean-Marc VICTOR
À la lettre (près) : autoportraits de Ralph Eugene Meatyard
E-REA
Ralph Eugene Meatyard
photographic self-portrait
intermediality
title À la lettre (près) : autoportraits de Ralph Eugene Meatyard
title_full À la lettre (près) : autoportraits de Ralph Eugene Meatyard
title_fullStr À la lettre (près) : autoportraits de Ralph Eugene Meatyard
title_full_unstemmed À la lettre (près) : autoportraits de Ralph Eugene Meatyard
title_short À la lettre (près) : autoportraits de Ralph Eugene Meatyard
title_sort a la lettre pres autoportraits de ralph eugene meatyard
topic Ralph Eugene Meatyard
photographic self-portrait
intermediality
url http://journals.openedition.org/erea/16529
work_keys_str_mv AT jeanmarcvictor alalettrepresautoportraitsderalpheugenemeatyard