The Young Pope Goes to Washington: The Distribution Paths of an “Italian” Series on US Television

Analyzing in detail the US distribution path of The Young Pope, co-production between Sky, Hbo and Canal+, the article intends to demonstrate how in its American circulation this “Italian” television fiction has dialogued with a distinct media system and was re-packaged to meet the expectations of a...

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Main Author: Luca Barra
Format: Article
Language:English
Published: University of Bologna 2020-12-01
Series:Cinergie
Subjects:
Online Access:https://cinergie.unibo.it/article/view/10922
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author Luca Barra
author_facet Luca Barra
author_sort Luca Barra
collection DOAJ
description Analyzing in detail the US distribution path of The Young Pope, co-production between Sky, Hbo and Canal+, the article intends to demonstrate how in its American circulation this “Italian” television fiction has dialogued with a distinct media system and was re-packaged to meet the expectations of a different audience. From the promotional campaign to the creation of hype even before airing, from the scheduling choices to ratings data, from the US vision of the production process and of its costs to critical and media reception, and to the first steps of the sequel The New Pope, it is highlighted how the co-production status is renegotiated according to the logic of a different destination context, limiting as much as possible the “Italian” components. The case study also offers the chance for general thoughts on the recent international development of Italian TV fiction and on its effects, not always foreseen.
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spelling doaj.art-610b8acb94444df183f22aa7f84066342022-12-21T22:33:37ZengUniversity of BolognaCinergie2280-94812020-12-0118253510.6092/issn.2280-9481/109229308The Young Pope Goes to Washington: The Distribution Paths of an “Italian” Series on US TelevisionLuca Barra0https://orcid.org/0000-0001-5454-9611Università di BolognaAnalyzing in detail the US distribution path of The Young Pope, co-production between Sky, Hbo and Canal+, the article intends to demonstrate how in its American circulation this “Italian” television fiction has dialogued with a distinct media system and was re-packaged to meet the expectations of a different audience. From the promotional campaign to the creation of hype even before airing, from the scheduling choices to ratings data, from the US vision of the production process and of its costs to critical and media reception, and to the first steps of the sequel The New Pope, it is highlighted how the co-production status is renegotiated according to the logic of a different destination context, limiting as much as possible the “Italian” components. The case study also offers the chance for general thoughts on the recent international development of Italian TV fiction and on its effects, not always foreseen.https://cinergie.unibo.it/article/view/10922televisiontv seriesitalian fictiondistributioncirculationproduction
spellingShingle Luca Barra
The Young Pope Goes to Washington: The Distribution Paths of an “Italian” Series on US Television
Cinergie
television
tv series
italian fiction
distribution
circulation
production
title The Young Pope Goes to Washington: The Distribution Paths of an “Italian” Series on US Television
title_full The Young Pope Goes to Washington: The Distribution Paths of an “Italian” Series on US Television
title_fullStr The Young Pope Goes to Washington: The Distribution Paths of an “Italian” Series on US Television
title_full_unstemmed The Young Pope Goes to Washington: The Distribution Paths of an “Italian” Series on US Television
title_short The Young Pope Goes to Washington: The Distribution Paths of an “Italian” Series on US Television
title_sort young pope goes to washington the distribution paths of an italian series on us television
topic television
tv series
italian fiction
distribution
circulation
production
url https://cinergie.unibo.it/article/view/10922
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