J. Randvere’s “Ruth” (1909) as an Example of Literary Decadence and the Quintessence of Young Estonia’s (1905–1915) Modern Ideology

This article is based on the interpretation of a segment of the reception of J. Randvere’s provocative, short essay-novella “Ruth” (1909), which was written by Johannes Aavik, a well-known Young Estonian and one of the principal modernizers of the Estonian language. This segment of reception regards...

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Main Author: Mirjam Hinrikus
Format: Article
Language:deu
Published: University of Tartu Press 2015-12-01
Series:Interlitteraria
Subjects:
Online Access:https://ojs.utlib.ee/index.php/IL/article/view/12542
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author Mirjam Hinrikus
author_facet Mirjam Hinrikus
author_sort Mirjam Hinrikus
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description This article is based on the interpretation of a segment of the reception of J. Randvere’s provocative, short essay-novella “Ruth” (1909), which was written by Johannes Aavik, a well-known Young Estonian and one of the principal modernizers of the Estonian language. This segment of reception regards “Ruth” as the quintessence of Young Estonia’s ideology, but does not offer a full explanation of how this ideology in “Ruth” is associated, on the one hand, with Young Estonians’ ambitions in modernizing Estonian literature and, on the other, with the broader fin de siècle European culture. I shall ask through which discourses does this ideology, which is innovative in the context of Estonian culture at the beginning of the 20th century, express itself in “Ruth”? What imaginations, representations and associations appear in “Ruth” in relation to the Young Estonian program, which interweaves tradition and/ or Estonian national-mindedness on the one hand, and Europeannes and/or modern ideas on the other. Or who are these Europeans and Estonians with whom Young Estonians wish to identify? Although Young Estonian ideology in “Ruth” has mostly been associated with connotations of decadence like “a culture of individuality”, “artificiality” and “aestheticism”, I will argue that in “Ruth” counter-discourses also come to the forefront. In other words, “Ruth” becomes the quintessence of the Young Estonia ideology, because it serves as a metaphoric counterpart to the Young Estonians’ program: “let us be Estonians, but let us become Europeans”. Through the reproduction of decadent discourse, which is in this text in the dominant position, “Ruth” oscillates between the ambivalent valorizations of signs of health (norms) and disease or decadence (deviation from the norms), accompanied, on the one hand, and among other things by opposition to the national discourse and, on the other hand, to the signs of decadence, that is the neutralization of the symptoms of decadence.
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spelling doaj.art-61544cee2648499bb1d4c7f2065e44c92022-12-22T01:05:52ZdeuUniversity of Tartu PressInterlitteraria1406-07012228-47292015-12-0120210.12697/IL.2015.20.2.16J. Randvere’s “Ruth” (1909) as an Example of Literary Decadence and the Quintessence of Young Estonia’s (1905–1915) Modern IdeologyMirjam Hinrikus0ETA Underi ja Tuglase Kirjanduskeskus / Tallinna Ülikool, Roosikrantsi 6, 10119 TallinnThis article is based on the interpretation of a segment of the reception of J. Randvere’s provocative, short essay-novella “Ruth” (1909), which was written by Johannes Aavik, a well-known Young Estonian and one of the principal modernizers of the Estonian language. This segment of reception regards “Ruth” as the quintessence of Young Estonia’s ideology, but does not offer a full explanation of how this ideology in “Ruth” is associated, on the one hand, with Young Estonians’ ambitions in modernizing Estonian literature and, on the other, with the broader fin de siècle European culture. I shall ask through which discourses does this ideology, which is innovative in the context of Estonian culture at the beginning of the 20th century, express itself in “Ruth”? What imaginations, representations and associations appear in “Ruth” in relation to the Young Estonian program, which interweaves tradition and/ or Estonian national-mindedness on the one hand, and Europeannes and/or modern ideas on the other. Or who are these Europeans and Estonians with whom Young Estonians wish to identify? Although Young Estonian ideology in “Ruth” has mostly been associated with connotations of decadence like “a culture of individuality”, “artificiality” and “aestheticism”, I will argue that in “Ruth” counter-discourses also come to the forefront. In other words, “Ruth” becomes the quintessence of the Young Estonia ideology, because it serves as a metaphoric counterpart to the Young Estonians’ program: “let us be Estonians, but let us become Europeans”. Through the reproduction of decadent discourse, which is in this text in the dominant position, “Ruth” oscillates between the ambivalent valorizations of signs of health (norms) and disease or decadence (deviation from the norms), accompanied, on the one hand, and among other things by opposition to the national discourse and, on the other hand, to the signs of decadence, that is the neutralization of the symptoms of decadence.https://ojs.utlib.ee/index.php/IL/article/view/12542literary decadencefin de sièclemodernization of Estonian cultureYoung Estonian movementJ. Randvere’s “Ruth” (1909)
spellingShingle Mirjam Hinrikus
J. Randvere’s “Ruth” (1909) as an Example of Literary Decadence and the Quintessence of Young Estonia’s (1905–1915) Modern Ideology
Interlitteraria
literary decadence
fin de siècle
modernization of Estonian culture
Young Estonian movement
J. Randvere’s “Ruth” (1909)
title J. Randvere’s “Ruth” (1909) as an Example of Literary Decadence and the Quintessence of Young Estonia’s (1905–1915) Modern Ideology
title_full J. Randvere’s “Ruth” (1909) as an Example of Literary Decadence and the Quintessence of Young Estonia’s (1905–1915) Modern Ideology
title_fullStr J. Randvere’s “Ruth” (1909) as an Example of Literary Decadence and the Quintessence of Young Estonia’s (1905–1915) Modern Ideology
title_full_unstemmed J. Randvere’s “Ruth” (1909) as an Example of Literary Decadence and the Quintessence of Young Estonia’s (1905–1915) Modern Ideology
title_short J. Randvere’s “Ruth” (1909) as an Example of Literary Decadence and the Quintessence of Young Estonia’s (1905–1915) Modern Ideology
title_sort j randvere s ruth 1909 as an example of literary decadence and the quintessence of young estonia s 1905 1915 modern ideology
topic literary decadence
fin de siècle
modernization of Estonian culture
Young Estonian movement
J. Randvere’s “Ruth” (1909)
url https://ojs.utlib.ee/index.php/IL/article/view/12542
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