La Donna del Lago de Rossini : première entrée en scène de Walter Scott dans l’opéra italien

With Rossini’s La Donna Del Lago (1819), Walter Scott makes his entrance on the stage of Italian opera. His melodramma adapts Scott’s long poem The Lady of the Lake (1810), a true Scottish epic that describes King James V’s rivalry with both Borderers and Highlanders. The composer’s librettist, Andr...

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Main Author: Liliane Lascoux
Format: Article
Language:English
Published: Presses universitaires de Rennes
Series:Revue LISA
Subjects:
Online Access:https://journals.openedition.org/lisa/4483
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author Liliane Lascoux
author_facet Liliane Lascoux
author_sort Liliane Lascoux
collection DOAJ
description With Rossini’s La Donna Del Lago (1819), Walter Scott makes his entrance on the stage of Italian opera. His melodramma adapts Scott’s long poem The Lady of the Lake (1810), a true Scottish epic that describes King James V’s rivalry with both Borderers and Highlanders. The composer’s librettist, Andrea Leone Tottola, bases his dramatisation on a French translation of the poem, simplifies and rewrites the text, as is often customary when adapting literature for the stage, thus modifying characters and highlighting the poem’s love interest. If the libretto is unfaithful to the letter of the source, the music pays homage to its spirit and conveys the heroic and legendary aspect of the drama with an extended, inventive and attentive orchestration, thus indicating a decisive step in the “Rossinian Revolution” with the development of a pastoral style, one of the bases of Romantic opera.
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spelling doaj.art-61811746304b4436b4c5f7286a823c3d2024-02-13T14:37:35ZengPresses universitaires de RennesRevue LISA1762-6153911813010.4000/lisa.4483La Donna del Lago de Rossini : première entrée en scène de Walter Scott dans l’opéra italienLiliane LascouxWith Rossini’s La Donna Del Lago (1819), Walter Scott makes his entrance on the stage of Italian opera. His melodramma adapts Scott’s long poem The Lady of the Lake (1810), a true Scottish epic that describes King James V’s rivalry with both Borderers and Highlanders. The composer’s librettist, Andrea Leone Tottola, bases his dramatisation on a French translation of the poem, simplifies and rewrites the text, as is often customary when adapting literature for the stage, thus modifying characters and highlighting the poem’s love interest. If the libretto is unfaithful to the letter of the source, the music pays homage to its spirit and conveys the heroic and legendary aspect of the drama with an extended, inventive and attentive orchestration, thus indicating a decisive step in the “Rossinian Revolution” with the development of a pastoral style, one of the bases of Romantic opera.https://journals.openedition.org/lisa/4483translationoperaScotlandepicmelodramaMacpherson James
spellingShingle Liliane Lascoux
La Donna del Lago de Rossini : première entrée en scène de Walter Scott dans l’opéra italien
Revue LISA
translation
opera
Scotland
epic
melodrama
Macpherson James
title La Donna del Lago de Rossini : première entrée en scène de Walter Scott dans l’opéra italien
title_full La Donna del Lago de Rossini : première entrée en scène de Walter Scott dans l’opéra italien
title_fullStr La Donna del Lago de Rossini : première entrée en scène de Walter Scott dans l’opéra italien
title_full_unstemmed La Donna del Lago de Rossini : première entrée en scène de Walter Scott dans l’opéra italien
title_short La Donna del Lago de Rossini : première entrée en scène de Walter Scott dans l’opéra italien
title_sort la donna del lago de rossini premiere entree en scene de walter scott dans l opera italien
topic translation
opera
Scotland
epic
melodrama
Macpherson James
url https://journals.openedition.org/lisa/4483
work_keys_str_mv AT lilianelascoux ladonnadellagoderossinipremiereentreeenscenedewalterscottdansloperaitalien