That’ll Teach’em to Love Their Motherland!: Russian Youth Revisit the Battles of World War II

The cult of World War II once again occupies a hegemonic position in the frigid, increasingly militaristic cultural climate of modern-day Russia. A matter of great pride for the overwhelming majority of Russian people, the war serves as a model for group solidarity and a means of social control. It...

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Main Author: Olga Kucherenko
Format: Article
Language:deu
Published: Centre d'Etudes et de Recherche sur les Sociétés et les Institutions Post-Soviétiques 2011-12-01
Series:Journal of Power Institutions in Post-Soviet Societies
Subjects:
Online Access:http://journals.openedition.org/pipss/3866
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author Olga Kucherenko
author_facet Olga Kucherenko
author_sort Olga Kucherenko
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description The cult of World War II once again occupies a hegemonic position in the frigid, increasingly militaristic cultural climate of modern-day Russia. A matter of great pride for the overwhelming majority of Russian people, the war serves as a model for group solidarity and a means of social control. It is used as a positive, character forming experience as each new generation is initiated into it through popular culture. Three recent films, the duology We are from the Future and The Fog, take on the role of the « ceremony masters » for contemporary Russian youth in its rite of passage. Essentially the vehicles of state propaganda, the films not only explore the idiosyncrasies of the proverbial Russian character, while reviving military traditions and encouraging civic responsibility, but also reflect the deep-seated anxieties of Russian society regarding its younger members.
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spelling doaj.art-61a084ee1f9e492a8b38986ad494ad862022-12-22T03:16:24ZdeuCentre d'Etudes et de Recherche sur les Sociétés et les Institutions Post-SoviétiquesJournal of Power Institutions in Post-Soviet Societies1769-70692011-12-0112That’ll Teach’em to Love Their Motherland!: Russian Youth Revisit the Battles of World War IIOlga KucherenkoThe cult of World War II once again occupies a hegemonic position in the frigid, increasingly militaristic cultural climate of modern-day Russia. A matter of great pride for the overwhelming majority of Russian people, the war serves as a model for group solidarity and a means of social control. It is used as a positive, character forming experience as each new generation is initiated into it through popular culture. Three recent films, the duology We are from the Future and The Fog, take on the role of the « ceremony masters » for contemporary Russian youth in its rite of passage. Essentially the vehicles of state propaganda, the films not only explore the idiosyncrasies of the proverbial Russian character, while reviving military traditions and encouraging civic responsibility, but also reflect the deep-seated anxieties of Russian society regarding its younger members.http://journals.openedition.org/pipss/3866FilmsWorld War IIPatriotismPropaganda
spellingShingle Olga Kucherenko
That’ll Teach’em to Love Their Motherland!: Russian Youth Revisit the Battles of World War II
Journal of Power Institutions in Post-Soviet Societies
Films
World War II
Patriotism
Propaganda
title That’ll Teach’em to Love Their Motherland!: Russian Youth Revisit the Battles of World War II
title_full That’ll Teach’em to Love Their Motherland!: Russian Youth Revisit the Battles of World War II
title_fullStr That’ll Teach’em to Love Their Motherland!: Russian Youth Revisit the Battles of World War II
title_full_unstemmed That’ll Teach’em to Love Their Motherland!: Russian Youth Revisit the Battles of World War II
title_short That’ll Teach’em to Love Their Motherland!: Russian Youth Revisit the Battles of World War II
title_sort that ll teach em to love their motherland russian youth revisit the battles of world war ii
topic Films
World War II
Patriotism
Propaganda
url http://journals.openedition.org/pipss/3866
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