Return to the 1960s: the Role of ‘68 in Paul Auster’s Life and Work

This essay explores the impact of 1968 on Paul Auster’s life and work. Its main analytical focus is on Auster’s critique of the anti-authoritative ethos of his generation in the early fictional autobiography Moon Palace (1989), but it draws comparisons to his later work as well, including 4 3 2 1 (2...

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Main Author: Jesper Præst Nielsen
Format: Article
Language:English
Published: Presses universitaires de Rennes
Series:Revue LISA
Subjects:
Online Access:https://journals.openedition.org/lisa/11701
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author Jesper Præst Nielsen
author_facet Jesper Præst Nielsen
author_sort Jesper Præst Nielsen
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description This essay explores the impact of 1968 on Paul Auster’s life and work. Its main analytical focus is on Auster’s critique of the anti-authoritative ethos of his generation in the early fictional autobiography Moon Palace (1989), but it draws comparisons to his later work as well, including 4 3 2 1 (2017) and the autobiographies Hand to Mouth (1997) and Report from the Interior (2013). Auster’s participation in the 1968 student uprising and his subsequent witnessing of the radicalization of the student movement have resulted in an authorial stance on ’68 that is marked by ambivalence and hindsight bias. Auster’s early letters show that Auster subscribed to a Marxist worldview before ’68, that his experiences in April changed him, and that he has since assumed center-left position in his prose work. Originally founded on Merleau-Ponty’s post-Cartesian philosophy, this position enables Auster to remain sympathetic to the egalitarian and antiwar causes of the Left, but critical of the general rejection of authorities that so characterized the late 1960s. The essay concludes that Moon Palace can be read as an appeal for the depolarization of the American political past.
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spelling doaj.art-61c8177467ab4c348227ceae6bfcf8462024-02-13T14:35:41ZengPresses universitaires de RennesRevue LISA1762-61531810.4000/lisa.11701Return to the 1960s: the Role of ‘68 in Paul Auster’s Life and WorkJesper Præst NielsenThis essay explores the impact of 1968 on Paul Auster’s life and work. Its main analytical focus is on Auster’s critique of the anti-authoritative ethos of his generation in the early fictional autobiography Moon Palace (1989), but it draws comparisons to his later work as well, including 4 3 2 1 (2017) and the autobiographies Hand to Mouth (1997) and Report from the Interior (2013). Auster’s participation in the 1968 student uprising and his subsequent witnessing of the radicalization of the student movement have resulted in an authorial stance on ’68 that is marked by ambivalence and hindsight bias. Auster’s early letters show that Auster subscribed to a Marxist worldview before ’68, that his experiences in April changed him, and that he has since assumed center-left position in his prose work. Originally founded on Merleau-Ponty’s post-Cartesian philosophy, this position enables Auster to remain sympathetic to the egalitarian and antiwar causes of the Left, but critical of the general rejection of authorities that so characterized the late 1960s. The essay concludes that Moon Palace can be read as an appeal for the depolarization of the American political past.https://journals.openedition.org/lisa/11701autobiographyauthorityfictionpolitics
spellingShingle Jesper Præst Nielsen
Return to the 1960s: the Role of ‘68 in Paul Auster’s Life and Work
Revue LISA
autobiography
authority
fiction
politics
title Return to the 1960s: the Role of ‘68 in Paul Auster’s Life and Work
title_full Return to the 1960s: the Role of ‘68 in Paul Auster’s Life and Work
title_fullStr Return to the 1960s: the Role of ‘68 in Paul Auster’s Life and Work
title_full_unstemmed Return to the 1960s: the Role of ‘68 in Paul Auster’s Life and Work
title_short Return to the 1960s: the Role of ‘68 in Paul Auster’s Life and Work
title_sort return to the 1960s the role of 68 in paul auster s life and work
topic autobiography
authority
fiction
politics
url https://journals.openedition.org/lisa/11701
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