Antagonism and Imaginaries of Plurality in Bolivian Cinema
Nowadays, Bolivian cinema is living a period of great activity in a unstable identitarian landscape, wherein negotiations and conflicts between the different national subjectivities are no longer able to be represented within antagonistic patterns producing uniformity. Firstly, this article deals wi...
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Format: | Article |
Language: | English |
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Iberoamericana / Vervuert
2018-03-01
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Series: | Iberoamericana. América Latina - España - Portugal |
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Online Access: | http://journals.iai.spk-berlin.de/index.php/iberoamericana/article/view/2447 |
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author | Valeria Canelas |
author_facet | Valeria Canelas |
author_sort | Valeria Canelas |
collection | DOAJ |
description | Nowadays, Bolivian cinema is living a period of great activity in a unstable identitarian landscape, wherein negotiations and conflicts between the different national subjectivities are no longer able to be represented within antagonistic patterns producing uniformity. Firstly, this article deals with Jorge Sanjinés’ Filmography in order to offer an explanatory hypothesis to answer why his last productions seem to have been less engaging for national identitarian dynamics. Secondly, an analysis of a series of short films by the Socavón Cine Collective will take place, so as to underline the most important political gestures displayed by their novel audiovisual rhetoric, which have managed to devise a language capable of a more acute examination of the identitarian plurality present in Bolivia. |
first_indexed | 2024-12-23T13:08:49Z |
format | Article |
id | doaj.art-61f13817c0da4d1394f9d4f87c3e6271 |
institution | Directory Open Access Journal |
issn | 1577-3388 2255-520X |
language | English |
last_indexed | 2024-12-23T13:08:49Z |
publishDate | 2018-03-01 |
publisher | Iberoamericana / Vervuert |
record_format | Article |
series | Iberoamericana. América Latina - España - Portugal |
spelling | doaj.art-61f13817c0da4d1394f9d4f87c3e62712022-12-21T17:45:48ZengIberoamericana / VervuertIberoamericana. América Latina - España - Portugal1577-33882255-520X2018-03-011867638310.18441/ibam.18.2018.67.63-831914Antagonism and Imaginaries of Plurality in Bolivian CinemaValeria CanelasNowadays, Bolivian cinema is living a period of great activity in a unstable identitarian landscape, wherein negotiations and conflicts between the different national subjectivities are no longer able to be represented within antagonistic patterns producing uniformity. Firstly, this article deals with Jorge Sanjinés’ Filmography in order to offer an explanatory hypothesis to answer why his last productions seem to have been less engaging for national identitarian dynamics. Secondly, an analysis of a series of short films by the Socavón Cine Collective will take place, so as to underline the most important political gestures displayed by their novel audiovisual rhetoric, which have managed to devise a language capable of a more acute examination of the identitarian plurality present in Bolivia.http://journals.iai.spk-berlin.de/index.php/iberoamericana/article/view/2447Bolivian CinemaIdentityRepresentationHospitalityModernity |
spellingShingle | Valeria Canelas Antagonism and Imaginaries of Plurality in Bolivian Cinema Iberoamericana. América Latina - España - Portugal Bolivian Cinema Identity Representation Hospitality Modernity |
title | Antagonism and Imaginaries of Plurality in Bolivian Cinema |
title_full | Antagonism and Imaginaries of Plurality in Bolivian Cinema |
title_fullStr | Antagonism and Imaginaries of Plurality in Bolivian Cinema |
title_full_unstemmed | Antagonism and Imaginaries of Plurality in Bolivian Cinema |
title_short | Antagonism and Imaginaries of Plurality in Bolivian Cinema |
title_sort | antagonism and imaginaries of plurality in bolivian cinema |
topic | Bolivian Cinema Identity Representation Hospitality Modernity |
url | http://journals.iai.spk-berlin.de/index.php/iberoamericana/article/view/2447 |
work_keys_str_mv | AT valeriacanelas antagonismandimaginariesofpluralityinboliviancinema |