“Revolutionary Changes in Sensibility”: References to Herman Melville’s Moby-Dick in W. H. Auden’s 1949 Page-Barbour Lectures

The article centers on The Enchafèd Flood: The Romantic Iconography of the Sea, a series of Page-Barbour Lectures delivered by W. H. Auden at the University of Virginia in 1949, in which he analyzed the Romantic and late nineteenth-century images of the sea, contrasted with images of the desert, giv...

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Main Author: Jacek Partyka
Format: Article
Language:English
Published: European Association for American Studies
Series:European Journal of American Studies
Subjects:
Online Access:https://journals.openedition.org/ejas/20835
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author Jacek Partyka
author_facet Jacek Partyka
author_sort Jacek Partyka
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description The article centers on The Enchafèd Flood: The Romantic Iconography of the Sea, a series of Page-Barbour Lectures delivered by W. H. Auden at the University of Virginia in 1949, in which he analyzed the Romantic and late nineteenth-century images of the sea, contrasted with images of the desert, giving a partisan interpretation of Melville’s selected prose (Moby-Dick in particular). As his reconsideration of the iconography is underpinned by a political agenda, in this article I comment on Auden’s lectures as exemplifications of a particular, pivotal moment in the development of Melville studies after the 1920s revival.
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spelling doaj.art-61f9191bdc1b44ebbc64e80edcb14c662024-02-14T13:19:30ZengEuropean Association for American StudiesEuropean Journal of American Studies1991-933618310.4000/ejas.20835“Revolutionary Changes in Sensibility”: References to Herman Melville’s Moby-Dick in W. H. Auden’s 1949 Page-Barbour LecturesJacek PartykaThe article centers on The Enchafèd Flood: The Romantic Iconography of the Sea, a series of Page-Barbour Lectures delivered by W. H. Auden at the University of Virginia in 1949, in which he analyzed the Romantic and late nineteenth-century images of the sea, contrasted with images of the desert, giving a partisan interpretation of Melville’s selected prose (Moby-Dick in particular). As his reconsideration of the iconography is underpinned by a political agenda, in this article I comment on Auden’s lectures as exemplifications of a particular, pivotal moment in the development of Melville studies after the 1920s revival.https://journals.openedition.org/ejas/20835W. H. AudenMelville revivalCharles OlsonRichard ChaseC. L. R. JamesRomanticism
spellingShingle Jacek Partyka
“Revolutionary Changes in Sensibility”: References to Herman Melville’s Moby-Dick in W. H. Auden’s 1949 Page-Barbour Lectures
European Journal of American Studies
W. H. Auden
Melville revival
Charles Olson
Richard Chase
C. L. R. James
Romanticism
title “Revolutionary Changes in Sensibility”: References to Herman Melville’s Moby-Dick in W. H. Auden’s 1949 Page-Barbour Lectures
title_full “Revolutionary Changes in Sensibility”: References to Herman Melville’s Moby-Dick in W. H. Auden’s 1949 Page-Barbour Lectures
title_fullStr “Revolutionary Changes in Sensibility”: References to Herman Melville’s Moby-Dick in W. H. Auden’s 1949 Page-Barbour Lectures
title_full_unstemmed “Revolutionary Changes in Sensibility”: References to Herman Melville’s Moby-Dick in W. H. Auden’s 1949 Page-Barbour Lectures
title_short “Revolutionary Changes in Sensibility”: References to Herman Melville’s Moby-Dick in W. H. Auden’s 1949 Page-Barbour Lectures
title_sort revolutionary changes in sensibility references to herman melville s moby dick in w h auden s 1949 page barbour lectures
topic W. H. Auden
Melville revival
Charles Olson
Richard Chase
C. L. R. James
Romanticism
url https://journals.openedition.org/ejas/20835
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