The Paradoxical Effect of the Documentary in Walter Salles’s Central do Brasil
This article explores the fusion between the conventions of the documentary and fiction films in Walter Salles’s Central do Brasil (1998), tracing this synergy back to the impact of the documentary and Neorealism on the New Latin American Cinema and Cinema Novo , its Brazilian counterpart. After...
Main Author: | Cynthia M. Tompkins |
---|---|
Format: | Article |
Language: | English |
Published: |
New Prairie Press
2009-01-01
|
Series: | Studies in 20th & 21st Century Literature |
Online Access: | http://newprairiepress.org/sttcl/vol33/iss1/2 |
Similar Items
-
Errance et renaissance dans le film brésilien Central do Brasil de Walter Salles
by: Cristina Duarte-Simões
Published: (2007-11-01) -
Guevara And Kerouac Hit The Rhizome: Displacement In Walter Salles's The Motorcycle Diaries And On The Road
by: Olegario da Costa Maya Neto
Published: (2019-11-01) -
Em busca de abrigo: o exílio em Terra estrangeira, de Walter Salles e Daniela Thomas = Searching for Home: exile in Terra estrangeira, by Walter Salles and Daniela Thomas
by: Pinho, Alexandra
Published: (2012-01-01) -
Le républicanisme paradoxal de Walter Bagehot (1826-1877)
by: Catherine HAJDENKO-MARSHALL
Published: (2003-10-01) -
Three Women in a Garden. Alice Austen’s Pictures and the Paradox of Documentary Photography
by: Estrella de Diego
Published: (2018-12-01)