Without romanticism and attenuated social criticism: Júlio Dinis in film
<p>This article compares the book <em>Os Fidalgos da Casa Mourisca </em>with one of his most famous adaptations, the eponymous film by Pedro Martins. We can see a noticeable change in the aspects of the work, which loses much of its romantic features and has his social criticism at...
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| Format: | Article |
| Language: | Portuguese |
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Universidade Federal Fluminense
2017-06-01
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| Series: | Cadernos de Letras da UFF |
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| Online Access: | http://www.cadernosdeletras.uff.br/index.php/cadernosdeletras/article/view/366 |
| Summary: | <p>This article compares the book <em>Os Fidalgos da Casa Mourisca </em>with one of his most famous adaptations, the eponymous film by Pedro Martins. We can see a noticeable change in the aspects of the work, which loses much of its romantic features and has his social criticism attenuated. This text analyze the mechanisms used by the moviemaker to realize this transformation and what their goals.</p><p>---</p><p> </p><p>DOI: <a href="http://dx.doi.org/10.22409/cadletrasuff.2017n54a366" target="_blank">http://dx.doi.org/10.22409/cadletrasuff.2017n54a366</a></p> |
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| ISSN: | 1413-053X 2447-4207 |