Writing procedures and management of pigments: a reading of Samuel Beckett’s “Waiting for Godot” and “Endgame”
This text is intended as a study of Samuel Beckett’s theatre done in the perspective of an analysis of the visual dimension of the plays Waiting for Godot and Endgame. The attention will be focused on body’s fragmentation, space’s reduction and on the economy of gesture and colors with an emphasis o...
| Main Author: | |
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| Format: | Article |
| Language: | Portuguese |
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Universidade Federal Fluminense
2011-12-01
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| Series: | Gragoatá |
| Subjects: | |
| Online Access: | http://www.gragoata.uff.br/index.php/gragoata/article/view/147 |
| _version_ | 1819031797071085568 |
|---|---|
| author | Sônia Maria Materno de Carvalho |
| author_facet | Sônia Maria Materno de Carvalho |
| author_sort | Sônia Maria Materno de Carvalho |
| collection | DOAJ |
| description | This text is intended as a study of Samuel Beckett’s theatre done in the perspective of an analysis of the visual dimension of the plays Waiting for Godot and Endgame. The attention will be focused on body’s fragmentation, space’s reduction and on the economy of gesture and colors with an emphasis on the Beckett’s insistence on the obscure and monochromatic stage. |
| first_indexed | 2024-12-21T06:51:45Z |
| format | Article |
| id | doaj.art-62967673bc56457cb6c3efd63d68ceb7 |
| institution | Directory Open Access Journal |
| issn | 1413-9073 2358-4114 |
| language | Portuguese |
| last_indexed | 2024-12-21T06:51:45Z |
| publishDate | 2011-12-01 |
| publisher | Universidade Federal Fluminense |
| record_format | Article |
| series | Gragoatá |
| spelling | doaj.art-62967673bc56457cb6c3efd63d68ceb72022-12-21T19:12:28ZporUniversidade Federal FluminenseGragoatá1413-90732358-41142011-12-011631120Writing procedures and management of pigments: a reading of Samuel Beckett’s “Waiting for Godot” and “Endgame”Sônia Maria Materno de Carvalho0UFFThis text is intended as a study of Samuel Beckett’s theatre done in the perspective of an analysis of the visual dimension of the plays Waiting for Godot and Endgame. The attention will be focused on body’s fragmentation, space’s reduction and on the economy of gesture and colors with an emphasis on the Beckett’s insistence on the obscure and monochromatic stage.http://www.gragoata.uff.br/index.php/gragoata/article/view/147teatroimagemBeckett |
| spellingShingle | Sônia Maria Materno de Carvalho Writing procedures and management of pigments: a reading of Samuel Beckett’s “Waiting for Godot” and “Endgame” Gragoatá teatro imagem Beckett |
| title | Writing procedures and management of pigments: a reading of Samuel Beckett’s “Waiting for Godot” and “Endgame” |
| title_full | Writing procedures and management of pigments: a reading of Samuel Beckett’s “Waiting for Godot” and “Endgame” |
| title_fullStr | Writing procedures and management of pigments: a reading of Samuel Beckett’s “Waiting for Godot” and “Endgame” |
| title_full_unstemmed | Writing procedures and management of pigments: a reading of Samuel Beckett’s “Waiting for Godot” and “Endgame” |
| title_short | Writing procedures and management of pigments: a reading of Samuel Beckett’s “Waiting for Godot” and “Endgame” |
| title_sort | writing procedures and management of pigments a reading of samuel beckett s waiting for godot and endgame |
| topic | teatro imagem Beckett |
| url | http://www.gragoata.uff.br/index.php/gragoata/article/view/147 |
| work_keys_str_mv | AT soniamariamaternodecarvalho writingproceduresandmanagementofpigmentsareadingofsamuelbeckettswaitingforgodotandendgame |