“The Mirror-Like Sea”: A Bloomsbury Vision of Same-Sex Desire In Duncan Grant's Bathing, 1911

Originally installed as a mural in the London Borough Polytechnic, Duncan Grant’s Bathing (1911) provoked anxieties that it would lead to the moral decay of working-class youth. Employing critical theory, this article finds the root of those anxieties in the painting’s linkage of naked homosociality...

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Main Author: Vajdon Sohaili
Format: Article
Language:English
Published: Yale University 2016-11-01
Series:British Art Studies
Subjects:
Online Access:http://britishartstudies.ac.uk/issues/issue-index/issue-4/duncan-grant-bathing
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author Vajdon Sohaili
author_facet Vajdon Sohaili
author_sort Vajdon Sohaili
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description Originally installed as a mural in the London Borough Polytechnic, Duncan Grant’s Bathing (1911) provoked anxieties that it would lead to the moral decay of working-class youth. Employing critical theory, this article finds the root of those anxieties in the painting’s linkage of naked homosociality to a subtle but pervasive figuration of desire, which Grant constructs via a sophisticated design programme. Grant’s democratic fantasy of homoerotic desire echoes that of his Bloomsbury colleague, E. M. Forster, whose dictum “only connect” induces a state of inoperative touch, made intelligible by Jean-Luc Nancy. The effects of Grant’s composition, when viewed through the repetition theory of Gilles Deleuze, create not only a space but a time of desire, a potentiality located in the figure of the peripheral, uncoupled bather. Poised on the brink of sexual self-awareness, this figure invokes a positive form of Narcissus, liberated from the Freudian taint of homosexual non-productivity.
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spelling doaj.art-62ca9dc210ca458dbb9864b2c0acfae22022-12-21T23:05:04ZengYale UniversityBritish Art Studies2058-54622016-11-01410.17658/issn.2058-5462/issue-04/vsohaili“The Mirror-Like Sea”: A Bloomsbury Vision of Same-Sex Desire In Duncan Grant's Bathing, 1911Vajdon Sohaili0Princeton UniversityOriginally installed as a mural in the London Borough Polytechnic, Duncan Grant’s Bathing (1911) provoked anxieties that it would lead to the moral decay of working-class youth. Employing critical theory, this article finds the root of those anxieties in the painting’s linkage of naked homosociality to a subtle but pervasive figuration of desire, which Grant constructs via a sophisticated design programme. Grant’s democratic fantasy of homoerotic desire echoes that of his Bloomsbury colleague, E. M. Forster, whose dictum “only connect” induces a state of inoperative touch, made intelligible by Jean-Luc Nancy. The effects of Grant’s composition, when viewed through the repetition theory of Gilles Deleuze, create not only a space but a time of desire, a potentiality located in the figure of the peripheral, uncoupled bather. Poised on the brink of sexual self-awareness, this figure invokes a positive form of Narcissus, liberated from the Freudian taint of homosexual non-productivity.http://britishartstudies.ac.uk/issues/issue-index/issue-4/duncan-grant-bathingDuncan GrantBloomsbury Groupqueer cultureLGBTmuralsswimmingerotic art
spellingShingle Vajdon Sohaili
“The Mirror-Like Sea”: A Bloomsbury Vision of Same-Sex Desire In Duncan Grant's Bathing, 1911
British Art Studies
Duncan Grant
Bloomsbury Group
queer culture
LGBT
murals
swimming
erotic art
title “The Mirror-Like Sea”: A Bloomsbury Vision of Same-Sex Desire In Duncan Grant's Bathing, 1911
title_full “The Mirror-Like Sea”: A Bloomsbury Vision of Same-Sex Desire In Duncan Grant's Bathing, 1911
title_fullStr “The Mirror-Like Sea”: A Bloomsbury Vision of Same-Sex Desire In Duncan Grant's Bathing, 1911
title_full_unstemmed “The Mirror-Like Sea”: A Bloomsbury Vision of Same-Sex Desire In Duncan Grant's Bathing, 1911
title_short “The Mirror-Like Sea”: A Bloomsbury Vision of Same-Sex Desire In Duncan Grant's Bathing, 1911
title_sort the mirror like sea a bloomsbury vision of same sex desire in duncan grant s bathing 1911
topic Duncan Grant
Bloomsbury Group
queer culture
LGBT
murals
swimming
erotic art
url http://britishartstudies.ac.uk/issues/issue-index/issue-4/duncan-grant-bathing
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