Da Bergson a Girard: il comico e il sacro

The essay by Claudio Rozzoni Il Riso di Molière. Teatro e impersonalità, which has been published in this magazine, examines the phenomenon of the comedian with particular emphasis on his/her impersonal nature. Starting from Henri Bergson’s ideas, and with particular and frequent reference to Molièr...

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Main Author: Andrea Grazioli
Format: Article
Language:English
Published: Milano University Press 2014-12-01
Series:Itinera
Online Access:https://riviste.unimi.it/index.php/itinera/article/view/4600
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author Andrea Grazioli
author_facet Andrea Grazioli
author_sort Andrea Grazioli
collection DOAJ
description The essay by Claudio Rozzoni Il Riso di Molière. Teatro e impersonalità, which has been published in this magazine, examines the phenomenon of the comedian with particular emphasis on his/her impersonal nature. Starting from Henri Bergson’s ideas, and with particular and frequent reference to Molière’s theatre, Rozzoni takes a first step toward defining the air of impersonality that characterises comedy. The purpose of this work is to further explore the aforementioned idea. This study will start with Rozzoni’s analysis and will subsequently make use of the thoughts of the Franco-American anthropologist René Girard, in order to show the mimetic and undifferentiating character of impersonality. At the end of this study, a religious anthropology of comedy will be outlined: moving from sacrificial rituals to medieval festivals and to the gradual professionalization of the modern era, this work will finally look at the contemporary time, shedding light on the long-existing link between the role of the comedian and that of an expiatory victim.
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spelling doaj.art-62dcb7e859b3423e873c3aee1ae987682023-08-02T05:04:45ZengMilano University PressItinera2039-92512014-12-01810.13130/2039-9251/4600Da Bergson a Girard: il comico e il sacroAndrea Grazioli0Università degli Studi di MilanoThe essay by Claudio Rozzoni Il Riso di Molière. Teatro e impersonalità, which has been published in this magazine, examines the phenomenon of the comedian with particular emphasis on his/her impersonal nature. Starting from Henri Bergson’s ideas, and with particular and frequent reference to Molière’s theatre, Rozzoni takes a first step toward defining the air of impersonality that characterises comedy. The purpose of this work is to further explore the aforementioned idea. This study will start with Rozzoni’s analysis and will subsequently make use of the thoughts of the Franco-American anthropologist René Girard, in order to show the mimetic and undifferentiating character of impersonality. At the end of this study, a religious anthropology of comedy will be outlined: moving from sacrificial rituals to medieval festivals and to the gradual professionalization of the modern era, this work will finally look at the contemporary time, shedding light on the long-existing link between the role of the comedian and that of an expiatory victim.https://riviste.unimi.it/index.php/itinera/article/view/4600
spellingShingle Andrea Grazioli
Da Bergson a Girard: il comico e il sacro
Itinera
title Da Bergson a Girard: il comico e il sacro
title_full Da Bergson a Girard: il comico e il sacro
title_fullStr Da Bergson a Girard: il comico e il sacro
title_full_unstemmed Da Bergson a Girard: il comico e il sacro
title_short Da Bergson a Girard: il comico e il sacro
title_sort da bergson a girard il comico e il sacro
url https://riviste.unimi.it/index.php/itinera/article/view/4600
work_keys_str_mv AT andreagrazioli dabergsonagirardilcomicoeilsacro