The Sublime, Ugliness and Contemporary Art: A Kantian Perspective

The aim of this paper is twofold. First, to explain the distinction between Kant’s notions of the sublime and ugliness, and to answer an important question that has been left unnoticed in contemporary studies, namely why it is the case that even though both sublime and ugliness are contrapurposive f...

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Main Author: Mojca Kuplen
Format: Article
Language:deu
Published: Ediciones Complutense (Universidad Complutense de Madrid) 2015-06-01
Series:Con-textos Kantianos: International Journal of Philosophy
Subjects:
Online Access:http://www.con-textoskantianos.net/index.php/revista/article/view/52
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author Mojca Kuplen
author_facet Mojca Kuplen
author_sort Mojca Kuplen
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description The aim of this paper is twofold. First, to explain the distinction between Kant’s notions of the sublime and ugliness, and to answer an important question that has been left unnoticed in contemporary studies, namely why it is the case that even though both sublime and ugliness are contrapurposive for the power of judgment, occasioning the feeling of displeasure, yet that after all we should feel pleasure in the former, while not in the latter. Second, to apply my interpretation of the sublime and ugliness to contemporary art, and to resolve certain issues that have been raised in accounting for the possibility of artistic sublimity. I argue that an experience of a genuine artistic sublimity is an uncommon occurrence. I propose that the value of contemporary art can be best explained by referring to Kant’s notion of ugliness and his theory of aesthetic ideas.
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spelling doaj.art-63061cfd73244c27b9d157bf7d8c187e2023-09-02T19:25:54ZdeuEdiciones Complutense (Universidad Complutense de Madrid)Con-textos Kantianos: International Journal of Philosophy2386-76552386-76552015-06-011111414143The Sublime, Ugliness and Contemporary Art: A Kantian PerspectiveMojca Kuplen0Institute of Philosophy Research Centre for the Humanities / Hungarian Academy of ScienceThe aim of this paper is twofold. First, to explain the distinction between Kant’s notions of the sublime and ugliness, and to answer an important question that has been left unnoticed in contemporary studies, namely why it is the case that even though both sublime and ugliness are contrapurposive for the power of judgment, occasioning the feeling of displeasure, yet that after all we should feel pleasure in the former, while not in the latter. Second, to apply my interpretation of the sublime and ugliness to contemporary art, and to resolve certain issues that have been raised in accounting for the possibility of artistic sublimity. I argue that an experience of a genuine artistic sublimity is an uncommon occurrence. I propose that the value of contemporary art can be best explained by referring to Kant’s notion of ugliness and his theory of aesthetic ideas.http://www.con-textoskantianos.net/index.php/revista/article/view/52SublimeUglinessContrapurposivenessFree DisharmonyContemporary artAesthetic ideas
spellingShingle Mojca Kuplen
The Sublime, Ugliness and Contemporary Art: A Kantian Perspective
Con-textos Kantianos: International Journal of Philosophy
Sublime
Ugliness
Contrapurposiveness
Free Disharmony
Contemporary art
Aesthetic ideas
title The Sublime, Ugliness and Contemporary Art: A Kantian Perspective
title_full The Sublime, Ugliness and Contemporary Art: A Kantian Perspective
title_fullStr The Sublime, Ugliness and Contemporary Art: A Kantian Perspective
title_full_unstemmed The Sublime, Ugliness and Contemporary Art: A Kantian Perspective
title_short The Sublime, Ugliness and Contemporary Art: A Kantian Perspective
title_sort sublime ugliness and contemporary art a kantian perspective
topic Sublime
Ugliness
Contrapurposiveness
Free Disharmony
Contemporary art
Aesthetic ideas
url http://www.con-textoskantianos.net/index.php/revista/article/view/52
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