Anti-Easter Story by Ivan Bunin “Mowers” (structure, system of Images, “Russian Idea”)
A new interpretation of I. Bunin’s story “Mowers” (1921) is proposed. If Bunin’s traditionally “short” story is considered by researchers as a realization of the theme of the Motherland, love for the lost paradise on Earth, admiration and glorification of the Russian people, the work reveals other,...
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Format: | Article |
Language: | Russian |
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Tsentr nauchnykh i obrazovatelnykh proektov
2022-10-01
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Series: | Научный диалог |
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Online Access: | https://www.nauka-dialog.ru/jour/article/view/4032 |
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author | O. V. Bogdanova Minjie Liu |
author_facet | O. V. Bogdanova Minjie Liu |
author_sort | O. V. Bogdanova |
collection | DOAJ |
description | A new interpretation of I. Bunin’s story “Mowers” (1921) is proposed. If Bunin’s traditionally “short” story is considered by researchers as a realization of the theme of the Motherland, love for the lost paradise on Earth, admiration and glorification of the Russian people, the work reveals other, essentially opposite intentions of Bunin’s text. It is shown that summing up the results of the first year of emigration formed complex and contradictory thoughts about Russia and its people in Bunin’s mind. It is shown that while recreating in the story what seems to be an uncomplicated memory of the meeting with the mowers and expressing delight over their heart-wrenching song, in fact Bunin is building a complex multi-tiered narrative system. It is noted that in this system, the outer layer of the narrative (a long-standing meeting with the mowers) is crowded by today’s reflection of exiled emigrants (Paris, 1921) and is symbolized by folklore ideas about fairy-tale Russia and its primitive mythology. It is proved that the intention of the author-narrator is focused not on admiration for the past and the lost (traditional perspective), but on antagonism and rejection of the old fairy tale, which, according to Bunin of the 1920s, has come to an end. The central motives of the story are rethought, the semantic recoding of the title image of the mowers is traced. |
first_indexed | 2024-03-08T04:27:09Z |
format | Article |
id | doaj.art-631394443a5141b399e8119ece93f84c |
institution | Directory Open Access Journal |
issn | 2225-756X 2227-1295 |
language | Russian |
last_indexed | 2024-04-24T19:28:47Z |
publishDate | 2022-10-01 |
publisher | Tsentr nauchnykh i obrazovatelnykh proektov |
record_format | Article |
series | Научный диалог |
spelling | doaj.art-631394443a5141b399e8119ece93f84c2024-03-25T14:31:09ZrusTsentr nauchnykh i obrazovatelnykh proektovНаучный диалог2225-756X2227-12952022-10-0111726628310.24224/2227-1295-2022-11-7-266-2832279Anti-Easter Story by Ivan Bunin “Mowers” (structure, system of Images, “Russian Idea”)O. V. Bogdanova0Minjie Liu1The Herzen State Pedagogical University of RussiaFar Eastern Federal UniversityA new interpretation of I. Bunin’s story “Mowers” (1921) is proposed. If Bunin’s traditionally “short” story is considered by researchers as a realization of the theme of the Motherland, love for the lost paradise on Earth, admiration and glorification of the Russian people, the work reveals other, essentially opposite intentions of Bunin’s text. It is shown that summing up the results of the first year of emigration formed complex and contradictory thoughts about Russia and its people in Bunin’s mind. It is shown that while recreating in the story what seems to be an uncomplicated memory of the meeting with the mowers and expressing delight over their heart-wrenching song, in fact Bunin is building a complex multi-tiered narrative system. It is noted that in this system, the outer layer of the narrative (a long-standing meeting with the mowers) is crowded by today’s reflection of exiled emigrants (Paris, 1921) and is symbolized by folklore ideas about fairy-tale Russia and its primitive mythology. It is proved that the intention of the author-narrator is focused not on admiration for the past and the lost (traditional perspective), but on antagonism and rejection of the old fairy tale, which, according to Bunin of the 1920s, has come to an end. The central motives of the story are rethought, the semantic recoding of the title image of the mowers is traced.https://www.nauka-dialog.ru/jour/article/view/4032i. a. bunin<i>mowers</i>compositional structurefigurative systemovertext and subtextanti-easterness |
spellingShingle | O. V. Bogdanova Minjie Liu Anti-Easter Story by Ivan Bunin “Mowers” (structure, system of Images, “Russian Idea”) Научный диалог i. a. bunin <i>mowers</i> compositional structure figurative system overtext and subtext anti-easterness |
title | Anti-Easter Story by Ivan Bunin “Mowers” (structure, system of Images, “Russian Idea”) |
title_full | Anti-Easter Story by Ivan Bunin “Mowers” (structure, system of Images, “Russian Idea”) |
title_fullStr | Anti-Easter Story by Ivan Bunin “Mowers” (structure, system of Images, “Russian Idea”) |
title_full_unstemmed | Anti-Easter Story by Ivan Bunin “Mowers” (structure, system of Images, “Russian Idea”) |
title_short | Anti-Easter Story by Ivan Bunin “Mowers” (structure, system of Images, “Russian Idea”) |
title_sort | anti easter story by ivan bunin mowers structure system of images russian idea |
topic | i. a. bunin <i>mowers</i> compositional structure figurative system overtext and subtext anti-easterness |
url | https://www.nauka-dialog.ru/jour/article/view/4032 |
work_keys_str_mv | AT ovbogdanova antieasterstorybyivanbuninmowersstructuresystemofimagesrussianidea AT minjieliu antieasterstorybyivanbuninmowersstructuresystemofimagesrussianidea |