Symptoms of and coping strategies for music performance anxiety through different time periods

Music performance anxiety (MPA) manifests itself at mental, physiological, and behavioral levels. The present study investigated how the experience of the three levels of symptoms changes over time, and how musicians cope with these temporal changes in MPA symptoms. To this end, we conducted a quest...

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Main Authors: Nanako Irie, Yuki Morijiri, Michiko Yoshie
Format: Article
Language:English
Published: Frontiers Media S.A. 2023-05-01
Series:Frontiers in Psychology
Subjects:
Online Access:https://www.frontiersin.org/articles/10.3389/fpsyg.2023.1138922/full
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author Nanako Irie
Nanako Irie
Yuki Morijiri
Yuki Morijiri
Michiko Yoshie
author_facet Nanako Irie
Nanako Irie
Yuki Morijiri
Yuki Morijiri
Michiko Yoshie
author_sort Nanako Irie
collection DOAJ
description Music performance anxiety (MPA) manifests itself at mental, physiological, and behavioral levels. The present study investigated how the experience of the three levels of symptoms changes over time, and how musicians cope with these temporal changes in MPA symptoms. To this end, we conducted a questionnaire survey in which 38 student musicians freely commented on their experiences of mental and physical changes, as well as their coping strategies for these changes. This was examined during five different time periods around public performance, extending from the beginning of the preparation for a public performance until shortly before the next public performance. The free-text comments obtained from the questionnaire were analyzed thematically and classified into different response themes. We then examined the temporal changes in the frequency of comments on each response theme. We further conducted a semi-structured interview involving eight musicians to explore the responses to the questionnaire in greater detail. We analyzed the contents of the free-text comments obtained from the questionnaire and the interview for each response theme, focusing on the most frequently mentioned sub-themes. The results indicate that musicians started to experience mental MPA symptoms (e.g., negative feelings) as soon as they began to prepare for public performance. To cope with mental symptoms, musicians employed mental strategies such as positive thinking/self-talk and concentration both before and during public performance. The experience of physiological MPA symptoms (e.g., increased heart rate) peaked shortly before public performance and remained throughout performance. To cope with a variety of physiological symptoms, musicians employed physical strategies, especially deep breathing and exercise, shortly before public performance. In contrast, behavioral MPA symptoms (e.g., tremor) were experienced mostly during public performance. Some musicians also reported experiencing the actual impairment of performance quality. To avoid this, musicians employed a variety of practicing techniques (e.g., playing at a slower tempo) during the preparation for public performance and performing techniques (e.g., paying attention to expressions) during public performance. Together, the present findings indicate that mental, physiological, and behavioral symptoms of MPA exhibit differential timelines and that musicians effectively utilize different coping strategies according to the temporal changes in MPA symptoms.
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spelling doaj.art-639bbc90e91f420da0e176fc159ba2b92023-05-31T04:21:14ZengFrontiers Media S.A.Frontiers in Psychology1664-10782023-05-011410.3389/fpsyg.2023.11389221138922Symptoms of and coping strategies for music performance anxiety through different time periodsNanako Irie0Nanako Irie1Yuki Morijiri2Yuki Morijiri3Michiko Yoshie4Department of Information Technology and Human Factors, National Institute of Advanced Industrial Science and Technology (AIST), Tsukuba, JapanGraduate School of Education, Yokohama National University, Yokohama, JapanDepartment of Information Technology and Human Factors, National Institute of Advanced Industrial Science and Technology (AIST), Tsukuba, JapanGraduate School of Education, Tokyo Gakugei University, Tokyo, JapanDepartment of Information Technology and Human Factors, National Institute of Advanced Industrial Science and Technology (AIST), Tsukuba, JapanMusic performance anxiety (MPA) manifests itself at mental, physiological, and behavioral levels. The present study investigated how the experience of the three levels of symptoms changes over time, and how musicians cope with these temporal changes in MPA symptoms. To this end, we conducted a questionnaire survey in which 38 student musicians freely commented on their experiences of mental and physical changes, as well as their coping strategies for these changes. This was examined during five different time periods around public performance, extending from the beginning of the preparation for a public performance until shortly before the next public performance. The free-text comments obtained from the questionnaire were analyzed thematically and classified into different response themes. We then examined the temporal changes in the frequency of comments on each response theme. We further conducted a semi-structured interview involving eight musicians to explore the responses to the questionnaire in greater detail. We analyzed the contents of the free-text comments obtained from the questionnaire and the interview for each response theme, focusing on the most frequently mentioned sub-themes. The results indicate that musicians started to experience mental MPA symptoms (e.g., negative feelings) as soon as they began to prepare for public performance. To cope with mental symptoms, musicians employed mental strategies such as positive thinking/self-talk and concentration both before and during public performance. The experience of physiological MPA symptoms (e.g., increased heart rate) peaked shortly before public performance and remained throughout performance. To cope with a variety of physiological symptoms, musicians employed physical strategies, especially deep breathing and exercise, shortly before public performance. In contrast, behavioral MPA symptoms (e.g., tremor) were experienced mostly during public performance. Some musicians also reported experiencing the actual impairment of performance quality. To avoid this, musicians employed a variety of practicing techniques (e.g., playing at a slower tempo) during the preparation for public performance and performing techniques (e.g., paying attention to expressions) during public performance. Together, the present findings indicate that mental, physiological, and behavioral symptoms of MPA exhibit differential timelines and that musicians effectively utilize different coping strategies according to the temporal changes in MPA symptoms.https://www.frontiersin.org/articles/10.3389/fpsyg.2023.1138922/fullmusic performance anxietystage frightsymptomcoping strategymusicianpianist
spellingShingle Nanako Irie
Nanako Irie
Yuki Morijiri
Yuki Morijiri
Michiko Yoshie
Symptoms of and coping strategies for music performance anxiety through different time periods
Frontiers in Psychology
music performance anxiety
stage fright
symptom
coping strategy
musician
pianist
title Symptoms of and coping strategies for music performance anxiety through different time periods
title_full Symptoms of and coping strategies for music performance anxiety through different time periods
title_fullStr Symptoms of and coping strategies for music performance anxiety through different time periods
title_full_unstemmed Symptoms of and coping strategies for music performance anxiety through different time periods
title_short Symptoms of and coping strategies for music performance anxiety through different time periods
title_sort symptoms of and coping strategies for music performance anxiety through different time periods
topic music performance anxiety
stage fright
symptom
coping strategy
musician
pianist
url https://www.frontiersin.org/articles/10.3389/fpsyg.2023.1138922/full
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