The blurred image
In 1989, an exhibition of a large selection of photographs with blurs, or even blurry photographs, was presented in Vanishing Presence, at the Walker Art Center in Minneapolis. The exhibition established the trajectory of the blur, ranging from the effects produced by technical inability to its subs...
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| Format: | Article |
| Language: | English |
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Universidad Complutense de Madrid
2016-09-01
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| Series: | Re-visiones |
| Subjects: | |
| Online Access: | http://www.re-visiones.net/index.php/RE-VISIONES/article/view/111 |
| _version_ | 1811337573755256832 |
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| author | Santiago Lucendo |
| author_facet | Santiago Lucendo |
| author_sort | Santiago Lucendo |
| collection | DOAJ |
| description | In 1989, an exhibition of a large selection of photographs with blurs, or even blurry photographs, was presented in Vanishing Presence, at the Walker Art Center in Minneapolis. The exhibition established the trajectory of the blur, ranging from the effects produced by technical inability to its subsequent use as an intentional resource [4]. These ’defects’, like ghostly apparitions, continue to manifest, perhaps even more so, in the digital era. The present article attempts to address this type of fuzzy images (digital and analogical), their evocative and significant capacity, as well as to emphasize the power of the Gothic imagery (in the broadest sense) to represent the terrors of the present and the future [5]. |
| first_indexed | 2024-04-13T17:56:59Z |
| format | Article |
| id | doaj.art-63db04057d534162bdecfc3f579e058c |
| institution | Directory Open Access Journal |
| issn | 2173-0040 |
| language | English |
| last_indexed | 2024-04-13T17:56:59Z |
| publishDate | 2016-09-01 |
| publisher | Universidad Complutense de Madrid |
| record_format | Article |
| series | Re-visiones |
| spelling | doaj.art-63db04057d534162bdecfc3f579e058c2022-12-22T02:36:25ZengUniversidad Complutense de MadridRe-visiones2173-00402016-09-010095The blurred imageSantiago LucendoIn 1989, an exhibition of a large selection of photographs with blurs, or even blurry photographs, was presented in Vanishing Presence, at the Walker Art Center in Minneapolis. The exhibition established the trajectory of the blur, ranging from the effects produced by technical inability to its subsequent use as an intentional resource [4]. These ’defects’, like ghostly apparitions, continue to manifest, perhaps even more so, in the digital era. The present article attempts to address this type of fuzzy images (digital and analogical), their evocative and significant capacity, as well as to emphasize the power of the Gothic imagery (in the broadest sense) to represent the terrors of the present and the future [5].http://www.re-visiones.net/index.php/RE-VISIONES/article/view/111imageartphotography |
| spellingShingle | Santiago Lucendo The blurred image Re-visiones image art photography |
| title | The blurred image |
| title_full | The blurred image |
| title_fullStr | The blurred image |
| title_full_unstemmed | The blurred image |
| title_short | The blurred image |
| title_sort | blurred image |
| topic | image art photography |
| url | http://www.re-visiones.net/index.php/RE-VISIONES/article/view/111 |
| work_keys_str_mv | AT santiagolucendo theblurredimage AT santiagolucendo blurredimage |