The Composition and Transmission of the Homeric Poems: A Summary

If the modern oral hypothesis, beginning in the 1920s (see 17 below), about the composition of early Greek epic poetry is correct (a ‘paradigm shift’ in Homeric studies according to Casey Dué), there were many poets who over centuries, beginning perhaps in the middle-to-late Bronze Age, composed in...

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Bibliographic Details
Main Author: Jerome Moran
Format: Article
Language:English
Published: Cambridge University Press 2022-04-01
Series:The Journal of Classics Teaching
Subjects:
Online Access:https://www.cambridge.org/core/product/identifier/S2058631021000416/type/journal_article
Description
Summary:If the modern oral hypothesis, beginning in the 1920s (see 17 below), about the composition of early Greek epic poetry is correct (a ‘paradigm shift’ in Homeric studies according to Casey Dué), there were many poets who over centuries, beginning perhaps in the middle-to-late Bronze Age, composed in performance many different versions of epic poems, including poems about the Trojan War, and including the subject matter of the Iliad and the Odyssey, vestiges of which survive on papyrus fragments and in the manuscripts of later authors. But the versions of the Iliad and the Odyssey that we have were not the work of many poets but, for the most part, of a single poet. The overall unity of the poems cannot be explained, or explained away, by any theory that posits multiple, successive authorship spanning many years.
ISSN:2058-6310