Transforming Alyosha into Superman: Invented Traditions and Street Art Subversion in Post-Communist Bulgaria

On June 17th 2011 graffiti artists transformed the West side of the Monument of the Soviet Army (MSA) in Sofia, Bulgaria. MSA comprises part of a spatial environment where the invented traditions of the Bulgarian state interact and compete. The art of provocation challenges those invented traditions...

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Main Author: Bozhin Traykov
Format: Article
Language:English
Published: Department of Modern Languages and Cultural Studies, University of Alberta 2014-11-01
Series:TranscUlturAl
Online Access:https://journals.library.ualberta.ca/tc/index.php/TC/article/view/23325
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author Bozhin Traykov
author_facet Bozhin Traykov
author_sort Bozhin Traykov
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description On June 17th 2011 graffiti artists transformed the West side of the Monument of the Soviet Army (MSA) in Sofia, Bulgaria. MSA comprises part of a spatial environment where the invented traditions of the Bulgarian state interact and compete. The art of provocation challenges those invented traditions and opens up the potential for alternative readings and discursive practices of the past and present, contrary to the official political and NGO discourse. As such it subverts ideological symbols in a fashion similar to the carnivalesque. The graffiti art provides the potential to reevaluate, bridge and connect a violent past with an equally violent present, as well as pose questions about the future. It signifies the presence of history and politics in everyday life.
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spelling doaj.art-642942fe0faa475aaedb81a9068890e42022-12-22T00:50:22ZengDepartment of Modern Languages and Cultural Studies, University of AlbertaTranscUlturAl1920-03232014-11-0161566610.21992/T95D1B23325Transforming Alyosha into Superman: Invented Traditions and Street Art Subversion in Post-Communist BulgariaBozhin Traykov0University of AlbertaOn June 17th 2011 graffiti artists transformed the West side of the Monument of the Soviet Army (MSA) in Sofia, Bulgaria. MSA comprises part of a spatial environment where the invented traditions of the Bulgarian state interact and compete. The art of provocation challenges those invented traditions and opens up the potential for alternative readings and discursive practices of the past and present, contrary to the official political and NGO discourse. As such it subverts ideological symbols in a fashion similar to the carnivalesque. The graffiti art provides the potential to reevaluate, bridge and connect a violent past with an equally violent present, as well as pose questions about the future. It signifies the presence of history and politics in everyday life.https://journals.library.ualberta.ca/tc/index.php/TC/article/view/23325
spellingShingle Bozhin Traykov
Transforming Alyosha into Superman: Invented Traditions and Street Art Subversion in Post-Communist Bulgaria
TranscUlturAl
title Transforming Alyosha into Superman: Invented Traditions and Street Art Subversion in Post-Communist Bulgaria
title_full Transforming Alyosha into Superman: Invented Traditions and Street Art Subversion in Post-Communist Bulgaria
title_fullStr Transforming Alyosha into Superman: Invented Traditions and Street Art Subversion in Post-Communist Bulgaria
title_full_unstemmed Transforming Alyosha into Superman: Invented Traditions and Street Art Subversion in Post-Communist Bulgaria
title_short Transforming Alyosha into Superman: Invented Traditions and Street Art Subversion in Post-Communist Bulgaria
title_sort transforming alyosha into superman invented traditions and street art subversion in post communist bulgaria
url https://journals.library.ualberta.ca/tc/index.php/TC/article/view/23325
work_keys_str_mv AT bozhintraykov transformingalyoshaintosupermaninventedtraditionsandstreetartsubversioninpostcommunistbulgaria