The Body Dangerous: Salome Dances
Richard Strauss’s operatic adaptation of Oscar Wilde’s Salome breaks all the rules in the representation of the female body: this body is not only stared at by the ‘male gaze’ but stares back, with powerful and deadly results. This Salome offers a challenge to canonical theories of both ‘the gaz...
Main Authors: | Linda Hutcheon, Michael Hutcheon |
---|---|
Format: | Article |
Language: | Spanish |
Published: |
Universidade Federal de Santa Catarina
2003-01-01
|
Series: | Revista Estudos Feministas |
Subjects: | |
Online Access: | https://periodicos.ufsc.br/index.php/ref/article/view/9474 |
Similar Items
-
Dialogues between Gestalt therapy and dance: body, speech and sense
by: Carla do Eirado Silva, et al.
Published: (2014-12-01) -
“Something there is that doesn’t love a wall”: Collaboration and Interdisciplinarity
by: Linda Hutcheon, et al.
Published: (2023-01-01) -
The Dancing Sexualized Archetype : Kelley Abbey’s Reinterpretation of the Dance of the Seven Veils in Strauss’s Salomé
by: Gerrard Carter
Published: (2018-10-01) -
Os Experimentadores e seus Pressupostos no "Judson Dance Theater"
by: Marcilio de Souza Vieira
Published: (2013-09-01) -
Dançando o pesar do mundo Dancing the sorrow of the world
by: Patrícia Spindler, et al.
Published: (2008-12-01)