Western Modernism and the Myth of Nature
California at the beginning of the twentieth century presented a unique cultural and physical landscape in which the seeds of a modern architecture defined by space could flourish. The complex reasons for this flowering are rooted fundamentally in the climate and topography of coastal Southern Calif...
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Format: | Article |
Language: | English |
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Lincoln University
2004-12-01
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Series: | Landscape Review |
Online Access: | https://journals.lincoln.ac.nz/index.php/lr/article/view/233 |
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author | Eleanor Weinel |
author_facet | Eleanor Weinel |
author_sort | Eleanor Weinel |
collection | DOAJ |
description | California at the beginning of the twentieth century presented a unique cultural and physical landscape in which the seeds of a modern architecture defined by space could flourish. The complex reasons for this flowering are rooted fundamentally in the climate and topography of coastal Southern California and the apparently limitless possibilities it offered to designers of buildings and landscapes. Virtually everyone, from the earliest explorers on, saw California as a "promised land" where their particular vision of a better world could be realised (Starr, 1973: 11). The attraction was the possibility presented by the landscape for transformation to ranch, farm, orchard or garden. California was abundant, spacious, and above all, hospitable. It was ripe for the development of the attitudes toward the environment that I am collecting under the title, the "Myth of Nature". |
first_indexed | 2024-03-07T17:47:56Z |
format | Article |
id | doaj.art-64923ec3e75742a6ac66273b4aea49c6 |
institution | Directory Open Access Journal |
issn | 1173-3853 2253-1440 |
language | English |
last_indexed | 2024-03-07T17:47:56Z |
publishDate | 2004-12-01 |
publisher | Lincoln University |
record_format | Article |
series | Landscape Review |
spelling | doaj.art-64923ec3e75742a6ac66273b4aea49c62024-03-02T14:34:06ZengLincoln UniversityLandscape Review1173-38532253-14402004-12-01101 2120127227Western Modernism and the Myth of NatureEleanor WeinelCalifornia at the beginning of the twentieth century presented a unique cultural and physical landscape in which the seeds of a modern architecture defined by space could flourish. The complex reasons for this flowering are rooted fundamentally in the climate and topography of coastal Southern California and the apparently limitless possibilities it offered to designers of buildings and landscapes. Virtually everyone, from the earliest explorers on, saw California as a "promised land" where their particular vision of a better world could be realised (Starr, 1973: 11). The attraction was the possibility presented by the landscape for transformation to ranch, farm, orchard or garden. California was abundant, spacious, and above all, hospitable. It was ripe for the development of the attitudes toward the environment that I am collecting under the title, the "Myth of Nature".https://journals.lincoln.ac.nz/index.php/lr/article/view/233 |
spellingShingle | Eleanor Weinel Western Modernism and the Myth of Nature Landscape Review |
title | Western Modernism and the Myth of Nature |
title_full | Western Modernism and the Myth of Nature |
title_fullStr | Western Modernism and the Myth of Nature |
title_full_unstemmed | Western Modernism and the Myth of Nature |
title_short | Western Modernism and the Myth of Nature |
title_sort | western modernism and the myth of nature |
url | https://journals.lincoln.ac.nz/index.php/lr/article/view/233 |
work_keys_str_mv | AT eleanorweinel westernmodernismandthemythofnature |