Leonídia: ela é doida? Produção Partilhada do Conhecimento e Criação Cênica Polifônica
This paper explores the creation of “Leonídia: Is She Crazy?,” a show by “Trupe DiVersos,” a theater-and-dance company that originated in the Projeto Paratodos (For All Project) of UFRJ (Federal University of Rio de Janeiro). The initial phase of this process was presented on Skype at...
| Main Authors: | , |
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| Format: | Article |
| Language: | Portuguese |
| Published: |
Universidade Federal de Goiás
2016-12-01
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| Series: | Arte da Cena |
| Online Access: | https://www.revistas.ufg.br/artce/article/view/41565/22465 |
| _version_ | 1818772309061664768 |
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| author | Marta Simões Peres André Meyer Alves de Lima |
| author_facet | Marta Simões Peres André Meyer Alves de Lima |
| author_sort | Marta Simões Peres |
| collection | DOAJ |
| description | This paper explores the creation of “Leonídia: Is She Crazy?,” a show by “Trupe DiVersos,” a theater-and-dance company that originated in the Projeto Paratodos (For All Project) of UFRJ (Federal University of Rio de Janeiro). The initial phase of this process was presented on Skype at the “Differentiated Bodies in Contemporary Art International Seminar” at UFRN (Natal, 2014). This text addresses that event and the main developments in the troupe’s work since then – performance/reading (2014) and six presentations during 2015. The play is the result of the extension course “Polyphonic Performance Creation” (PPC), the central idea of which was to apply the ideas of Shared Production of Knowledge (SPK) (Bairon and Lazaneo, 2012) and of polyphony (Bakhtin, 2010), combined with contact with manifestations of traditional cultures in Brazil. The creation, scripting and mounting of a show by a group characterized by diversity bets on an increasing permeability between the university and society. Keywords: Dance; Theater; Shared Production of the Kwnolege; Deficiency Studies; Antimanicomial Fight.““Leonídia: Is She Crazy?” — Shared Production ofKnowledge and Polyphonic Performance Creation”“LEONÍDIA:ELA ÉDOIDA?”PRODUÇÃO PARTILHADA DO CONHECIMENTOE CRIAÇÃO CÊNICA POLIFÔNICA1 |
| first_indexed | 2024-12-18T10:07:18Z |
| format | Article |
| id | doaj.art-64ad8ae675684e968090292c66056a85 |
| institution | Directory Open Access Journal |
| issn | 2358-6060 |
| language | Portuguese |
| last_indexed | 2024-12-18T10:07:18Z |
| publishDate | 2016-12-01 |
| publisher | Universidade Federal de Goiás |
| record_format | Article |
| series | Arte da Cena |
| spelling | doaj.art-64ad8ae675684e968090292c66056a852022-12-21T21:11:31ZporUniversidade Federal de GoiásArte da Cena2358-60602016-12-0123117Leonídia: ela é doida? Produção Partilhada do Conhecimento e Criação Cênica PolifônicaMarta Simões Peres0André Meyer Alves de Lima1Universidade Federal do Rio de Janeiro (UFRJ) , Rio de Janeiro - RJ, Brasil.Universidade Federal do Rio de Janeiro (UFRJ) , Rio de Janeiro - RJ, BrasilThis paper explores the creation of “Leonídia: Is She Crazy?,” a show by “Trupe DiVersos,” a theater-and-dance company that originated in the Projeto Paratodos (For All Project) of UFRJ (Federal University of Rio de Janeiro). The initial phase of this process was presented on Skype at the “Differentiated Bodies in Contemporary Art International Seminar” at UFRN (Natal, 2014). This text addresses that event and the main developments in the troupe’s work since then – performance/reading (2014) and six presentations during 2015. The play is the result of the extension course “Polyphonic Performance Creation” (PPC), the central idea of which was to apply the ideas of Shared Production of Knowledge (SPK) (Bairon and Lazaneo, 2012) and of polyphony (Bakhtin, 2010), combined with contact with manifestations of traditional cultures in Brazil. The creation, scripting and mounting of a show by a group characterized by diversity bets on an increasing permeability between the university and society. Keywords: Dance; Theater; Shared Production of the Kwnolege; Deficiency Studies; Antimanicomial Fight.““Leonídia: Is She Crazy?” — Shared Production ofKnowledge and Polyphonic Performance Creation”“LEONÍDIA:ELA ÉDOIDA?”PRODUÇÃO PARTILHADA DO CONHECIMENTOE CRIAÇÃO CÊNICA POLIFÔNICA1https://www.revistas.ufg.br/artce/article/view/41565/22465 |
| spellingShingle | Marta Simões Peres André Meyer Alves de Lima Leonídia: ela é doida? Produção Partilhada do Conhecimento e Criação Cênica Polifônica Arte da Cena |
| title | Leonídia: ela é doida? Produção Partilhada do Conhecimento e Criação Cênica Polifônica |
| title_full | Leonídia: ela é doida? Produção Partilhada do Conhecimento e Criação Cênica Polifônica |
| title_fullStr | Leonídia: ela é doida? Produção Partilhada do Conhecimento e Criação Cênica Polifônica |
| title_full_unstemmed | Leonídia: ela é doida? Produção Partilhada do Conhecimento e Criação Cênica Polifônica |
| title_short | Leonídia: ela é doida? Produção Partilhada do Conhecimento e Criação Cênica Polifônica |
| title_sort | leonidia ela e doida producao partilhada do conhecimento e criacao cenica polifonica |
| url | https://www.revistas.ufg.br/artce/article/view/41565/22465 |
| work_keys_str_mv | AT martasimoesperes leonidiaelaedoidaproducaopartilhadadoconhecimentoecriacaocenicapolifonica AT andremeyeralvesdelima leonidiaelaedoidaproducaopartilhadadoconhecimentoecriacaocenicapolifonica |