La storia del cinema e la storia nel cinema. Dialogando con Gianfranco Gori e con Pierre Sorlin per riflessioni di metodo e proposte di percorsi didattici
History of the Cinema and History in the Cinema. Reflecting with Gianfranco Gori and Pierre Sorlin on Questions of Methods and Didactic Proposals This essay offers reflections on methodological issues and proposals of didactic paths through the author’s close dialoguing with two highly appreciated...
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| Format: | Article |
| Language: | English |
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LED Edizioni Universitarie
2010-06-01
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| Series: | Journal of Educational, Cultural and Psychological Studies |
| Subjects: | |
| Online Access: | https://www.ledonline.it/index.php/ECPS-Journal/article/view/469 |
| _version_ | 1818187177081700352 |
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| author | Carlo Felice Casula |
| author_facet | Carlo Felice Casula |
| author_sort | Carlo Felice Casula |
| collection | DOAJ |
| description | History of the Cinema and History in the Cinema. Reflecting with Gianfranco Gori and Pierre Sorlin on Questions of Methods and Didactic Proposals
This essay offers reflections on methodological issues and proposals of didactic paths through the author’s close dialoguing with two highly appreciated scholars of the relations between history and the cinema: the Italian Gianfranco Gori and the French Pierre Sorlin. Gianfranco Gori, in Italy, and Pierre Sorlin, in Europe and North America, play an active role in promoting innovative experiences in training and research focused on the use of film as a fundamental historical source and effective didactic tool. Opening with the author’s reconstruction of the origins of Italian cinema, to demonstrate his assumption by a concrete sample, the dialogue with the two scholars deals with the evolving of cinema techniques and languages up to television and the Internet. By reflecting on methodological issues, the author highlights how a film is always a «double jump into the past» and cinema is not only a mirror of reality, but also a strong agent of socio-cultural changes and of collective identity construction. |
| first_indexed | 2024-12-11T23:06:53Z |
| format | Article |
| id | doaj.art-64c07692ec214a48ac343d4c6d3f3012 |
| institution | Directory Open Access Journal |
| issn | 2037-7932 2037-7924 |
| language | English |
| last_indexed | 2024-12-11T23:06:53Z |
| publishDate | 2010-06-01 |
| publisher | LED Edizioni Universitarie |
| record_format | Article |
| series | Journal of Educational, Cultural and Psychological Studies |
| spelling | doaj.art-64c07692ec214a48ac343d4c6d3f30122022-12-22T00:46:53ZengLED Edizioni UniversitarieJournal of Educational, Cultural and Psychological Studies2037-79322037-79242010-06-0111113125450La storia del cinema e la storia nel cinema. Dialogando con Gianfranco Gori e con Pierre Sorlin per riflessioni di metodo e proposte di percorsi didatticiCarlo Felice Casula0Università degli Studi Roma TreHistory of the Cinema and History in the Cinema. Reflecting with Gianfranco Gori and Pierre Sorlin on Questions of Methods and Didactic Proposals This essay offers reflections on methodological issues and proposals of didactic paths through the author’s close dialoguing with two highly appreciated scholars of the relations between history and the cinema: the Italian Gianfranco Gori and the French Pierre Sorlin. Gianfranco Gori, in Italy, and Pierre Sorlin, in Europe and North America, play an active role in promoting innovative experiences in training and research focused on the use of film as a fundamental historical source and effective didactic tool. Opening with the author’s reconstruction of the origins of Italian cinema, to demonstrate his assumption by a concrete sample, the dialogue with the two scholars deals with the evolving of cinema techniques and languages up to television and the Internet. By reflecting on methodological issues, the author highlights how a film is always a «double jump into the past» and cinema is not only a mirror of reality, but also a strong agent of socio-cultural changes and of collective identity construction.https://www.ledonline.it/index.php/ECPS-Journal/article/view/469cinemacollective identitycultural changehistoryhistory teachingpierre sorlinidentità collettiveinsegnamento della storiastoriamutamento culturale |
| spellingShingle | Carlo Felice Casula La storia del cinema e la storia nel cinema. Dialogando con Gianfranco Gori e con Pierre Sorlin per riflessioni di metodo e proposte di percorsi didattici Journal of Educational, Cultural and Psychological Studies cinema collective identity cultural change history history teaching pierre sorlin identità collettive insegnamento della storia storia mutamento culturale |
| title | La storia del cinema e la storia nel cinema. Dialogando con Gianfranco Gori e con Pierre Sorlin per riflessioni di metodo e proposte di percorsi didattici |
| title_full | La storia del cinema e la storia nel cinema. Dialogando con Gianfranco Gori e con Pierre Sorlin per riflessioni di metodo e proposte di percorsi didattici |
| title_fullStr | La storia del cinema e la storia nel cinema. Dialogando con Gianfranco Gori e con Pierre Sorlin per riflessioni di metodo e proposte di percorsi didattici |
| title_full_unstemmed | La storia del cinema e la storia nel cinema. Dialogando con Gianfranco Gori e con Pierre Sorlin per riflessioni di metodo e proposte di percorsi didattici |
| title_short | La storia del cinema e la storia nel cinema. Dialogando con Gianfranco Gori e con Pierre Sorlin per riflessioni di metodo e proposte di percorsi didattici |
| title_sort | la storia del cinema e la storia nel cinema dialogando con gianfranco gori e con pierre sorlin per riflessioni di metodo e proposte di percorsi didattici |
| topic | cinema collective identity cultural change history history teaching pierre sorlin identità collettive insegnamento della storia storia mutamento culturale |
| url | https://www.ledonline.it/index.php/ECPS-Journal/article/view/469 |
| work_keys_str_mv | AT carlofelicecasula lastoriadelcinemaelastorianelcinemadialogandocongianfrancogorieconpierresorlinperriflessionidimetodoepropostedipercorsididattici |