Chiti, Martini e gli albori della storia della musica

Girolamo Chiti (1679-1759), maestro di cappella at San Giovanni in Laterano and epigone of the so-called “Roman school”, was one of the most assiduous correspondents of Father Giambattista Martini. Indeed, the two exchanged over four hundred letters in the course of fourteen years, between 1745 and...

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Main Author: Arnaldo Morelli
Format: Article
Language:deu
Published: University of Bologna 2023-11-01
Series:Artes
Subjects:
Online Access:https://artes.unibo.it/article/view/18302
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author Arnaldo Morelli
author_facet Arnaldo Morelli
author_sort Arnaldo Morelli
collection DOAJ
description Girolamo Chiti (1679-1759), maestro di cappella at San Giovanni in Laterano and epigone of the so-called “Roman school”, was one of the most assiduous correspondents of Father Giambattista Martini. Indeed, the two exchanged over four hundred letters in the course of fourteen years, between 1745 and 1759. Based on an examination of this correspondence, the article scrutinizes the fundamental help Chiti offered to Martini in preparing his Storia della musica, on the one hand helping to locate and continuously sending precious materials such as treatises on musical theory and ancient and modern compositions while on the other hand engaging in a fruitful exchange of ideas on music, especially sacred music. Although both were convinced that the foundation of composition lay in counterpoint treatises and sixteenth-century polyphony, the ideas and work of Chiti and Martini reveal that they were not conservatives, opponents of modernity, but rather two personalities participating in an authentic eighteenth-century spirit.
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spelling doaj.art-64c1db7a23904a9a99ebb1d2729ea3cf2024-01-10T14:14:05ZdeuUniversity of BolognaArtes2974-72872023-11-01II15516910.6092/issn.2974-7287/1830216661Chiti, Martini e gli albori della storia della musicaArnaldo Morelli0https://orcid.org/0000-0002-8932-9624Università dell’AquilaGirolamo Chiti (1679-1759), maestro di cappella at San Giovanni in Laterano and epigone of the so-called “Roman school”, was one of the most assiduous correspondents of Father Giambattista Martini. Indeed, the two exchanged over four hundred letters in the course of fourteen years, between 1745 and 1759. Based on an examination of this correspondence, the article scrutinizes the fundamental help Chiti offered to Martini in preparing his Storia della musica, on the one hand helping to locate and continuously sending precious materials such as treatises on musical theory and ancient and modern compositions while on the other hand engaging in a fruitful exchange of ideas on music, especially sacred music. Although both were convinced that the foundation of composition lay in counterpoint treatises and sixteenth-century polyphony, the ideas and work of Chiti and Martini reveal that they were not conservatives, opponents of modernity, but rather two personalities participating in an authentic eighteenth-century spirit.https://artes.unibo.it/article/view/18302music collectingmusic historiographyrenaissance polyphony receptiongirolamo chitigiambattista martini
spellingShingle Arnaldo Morelli
Chiti, Martini e gli albori della storia della musica
Artes
music collecting
music historiography
renaissance polyphony reception
girolamo chiti
giambattista martini
title Chiti, Martini e gli albori della storia della musica
title_full Chiti, Martini e gli albori della storia della musica
title_fullStr Chiti, Martini e gli albori della storia della musica
title_full_unstemmed Chiti, Martini e gli albori della storia della musica
title_short Chiti, Martini e gli albori della storia della musica
title_sort chiti martini e gli albori della storia della musica
topic music collecting
music historiography
renaissance polyphony reception
girolamo chiti
giambattista martini
url https://artes.unibo.it/article/view/18302
work_keys_str_mv AT arnaldomorelli chitimartinieglialboridellastoriadellamusica