Voices that Matter: The Attic Echoes Through the House

In The Buddha in the Attic, Julie Otsuka explores two main topics: the Picture Bride practice and the internment camps for Japanese Americans during World War II. An analysis of the development of both topics in the narrative reveals parallels with potential issues faced by women and diasporic subje...

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Main Author: Flávia Rodrigues Monteiro
Format: Article
Language:Spanish
Published: Universidade Federal de Santa Catarina 2018-11-01
Series:Revista Estudos Feministas
Subjects:
Online Access:https://periodicos.ufsc.br/index.php/ref/article/view/58562
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author Flávia Rodrigues Monteiro
author_facet Flávia Rodrigues Monteiro
author_sort Flávia Rodrigues Monteiro
collection DOAJ
description In The Buddha in the Attic, Julie Otsuka explores two main topics: the Picture Bride practice and the internment camps for Japanese Americans during World War II. An analysis of the development of both topics in the narrative reveals parallels with potential issues faced by women and diasporic subjects in contemporaneity, connecting with theoretical approaches on these topics. It is interesting to note that the narrative is mainly developed in first person plural with occasional expansion to other subjects such as “I”, “she”, “he”, and even “you”. The effect of this game between singular and plural is a narrative that describes a collective experience but avoids essentialisms. Even though it focuses on Women’s voices, the novel also explores different subjectivities involved in the diasporic experience. Thus, Otsuka’s narrative gives voice to disempowered subjects long locked in the attic of history and makes their voices echo through the houses of contemporaneity
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spelling doaj.art-652bdadc3e76402ca39a15001152361e2022-12-21T22:37:30ZspaUniversidade Federal de Santa CatarinaRevista Estudos Feministas0104-026X1806-95842018-11-0126329955Voices that Matter: The Attic Echoes Through the HouseFlávia Rodrigues Monteiro0Federal University of Minas Gerais (UFMG)In The Buddha in the Attic, Julie Otsuka explores two main topics: the Picture Bride practice and the internment camps for Japanese Americans during World War II. An analysis of the development of both topics in the narrative reveals parallels with potential issues faced by women and diasporic subjects in contemporaneity, connecting with theoretical approaches on these topics. It is interesting to note that the narrative is mainly developed in first person plural with occasional expansion to other subjects such as “I”, “she”, “he”, and even “you”. The effect of this game between singular and plural is a narrative that describes a collective experience but avoids essentialisms. Even though it focuses on Women’s voices, the novel also explores different subjectivities involved in the diasporic experience. Thus, Otsuka’s narrative gives voice to disempowered subjects long locked in the attic of history and makes their voices echo through the houses of contemporaneityhttps://periodicos.ufsc.br/index.php/ref/article/view/58562Women’s LiteratureSubjectivityFeminist CriticismDiaspora
spellingShingle Flávia Rodrigues Monteiro
Voices that Matter: The Attic Echoes Through the House
Revista Estudos Feministas
Women’s Literature
Subjectivity
Feminist Criticism
Diaspora
title Voices that Matter: The Attic Echoes Through the House
title_full Voices that Matter: The Attic Echoes Through the House
title_fullStr Voices that Matter: The Attic Echoes Through the House
title_full_unstemmed Voices that Matter: The Attic Echoes Through the House
title_short Voices that Matter: The Attic Echoes Through the House
title_sort voices that matter the attic echoes through the house
topic Women’s Literature
Subjectivity
Feminist Criticism
Diaspora
url https://periodicos.ufsc.br/index.php/ref/article/view/58562
work_keys_str_mv AT flaviarodriguesmonteiro voicesthatmattertheatticechoesthroughthehouse