OLEG NEGRUȚA’S COMPOSITIONAL VISION ON NICCOLÓ PAGANINI’S CAPRICE No. 24

Among the musical works dedicated by the composer Oleg Negruţa to the wind instruments is his Fantasy on a Theme by Paganini for piano and clarinet. Borrowing from the great violinist’s form and thematism, the author blended some neoclassical elements with others, typical of the jazz manner, featuri...

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Main Author: MUŞAT SERGHEI
Format: Article
Language:deu
Published: Notograf Prim 2017-12-01
Series:Studiul Artelor şi Culturologie: Istorie, Teorie, Practică
Subjects:
Online Access:http://revista.amtap.md/wp-content/files_mf/152663930713_Musat_Capriciulnr.24deNiccoloPaganiniinviziuneacomponisticaaluiOlegNegruta.pdf
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author MUŞAT SERGHEI
author_facet MUŞAT SERGHEI
author_sort MUŞAT SERGHEI
collection DOAJ
description Among the musical works dedicated by the composer Oleg Negruţa to the wind instruments is his Fantasy on a Theme by Paganini for piano and clarinet. Borrowing from the great violinist’s form and thematism, the author blended some neoclassical elements with others, typical of the jazz manner, featuring to the famous capriccio another character than the original one. In addition, combining three different terms – fantasy, capriccio and theme with variations – Oleg Negruța signed a piece whose form, structure and content are dictated rather by the composer’s free fantasy than by some traditional techniques. This article is proposed to highlight some aspects in order to demonstrate the authenticity of the author’s compositional vision on Paganini’s theme.
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spelling doaj.art-6532d8df5e804a828bef11e4fff929f72022-12-22T03:17:32ZdeuNotograf PrimStudiul Artelor şi Culturologie: Istorie, Teorie, Practică2345-14082345-18312017-12-012(31)7679OLEG NEGRUȚA’S COMPOSITIONAL VISION ON NICCOLÓ PAGANINI’S CAPRICE No. 24MUŞAT SERGHEI0Academy of Music, Theatre and Fine ArtsAmong the musical works dedicated by the composer Oleg Negruţa to the wind instruments is his Fantasy on a Theme by Paganini for piano and clarinet. Borrowing from the great violinist’s form and thematism, the author blended some neoclassical elements with others, typical of the jazz manner, featuring to the famous capriccio another character than the original one. In addition, combining three different terms – fantasy, capriccio and theme with variations – Oleg Negruța signed a piece whose form, structure and content are dictated rather by the composer’s free fantasy than by some traditional techniques. This article is proposed to highlight some aspects in order to demonstrate the authenticity of the author’s compositional vision on Paganini’s theme.http://revista.amtap.md/wp-content/files_mf/152663930713_Musat_Capriciulnr.24deNiccoloPaganiniinviziuneacomponisticaaluiOlegNegruta.pdffantasycapricciotheme with variationsjazzcompositional vision
spellingShingle MUŞAT SERGHEI
OLEG NEGRUȚA’S COMPOSITIONAL VISION ON NICCOLÓ PAGANINI’S CAPRICE No. 24
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică
fantasy
capriccio
theme with variations
jazz
compositional vision
title OLEG NEGRUȚA’S COMPOSITIONAL VISION ON NICCOLÓ PAGANINI’S CAPRICE No. 24
title_full OLEG NEGRUȚA’S COMPOSITIONAL VISION ON NICCOLÓ PAGANINI’S CAPRICE No. 24
title_fullStr OLEG NEGRUȚA’S COMPOSITIONAL VISION ON NICCOLÓ PAGANINI’S CAPRICE No. 24
title_full_unstemmed OLEG NEGRUȚA’S COMPOSITIONAL VISION ON NICCOLÓ PAGANINI’S CAPRICE No. 24
title_short OLEG NEGRUȚA’S COMPOSITIONAL VISION ON NICCOLÓ PAGANINI’S CAPRICE No. 24
title_sort oleg negruta s compositional vision on niccolo paganini s caprice no 24
topic fantasy
capriccio
theme with variations
jazz
compositional vision
url http://revista.amtap.md/wp-content/files_mf/152663930713_Musat_Capriciulnr.24deNiccoloPaganiniinviziuneacomponisticaaluiOlegNegruta.pdf
work_keys_str_mv AT musatserghei olegnegrutascompositionalvisiononniccolopaganiniscapriceno24