RE-DRAWING HETEROTOPIAS: CHALLENGING REFUGEE CAMPS AS OTHER SPACES IN KATE EVANS’ THREADS: FROM THE REFUGEE CRISIS

This essay deals with the “other” spaces that migrants, refugees, asylum seekers find themselves inhabiting within the borders of European nation states. It concentrates on refugee camps in general, and on the Calais “Jungle” in particular. On the model of Michel Agier, I will talk of refugee camps...

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Main Author: Ilaria Oddenino
Format: Article
Language:English
Published: University of Udine 2018-11-01
Series:Le Simplegadi
Online Access:https://le-simplegadi.it/article/view/1093
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author Ilaria Oddenino
author_facet Ilaria Oddenino
author_sort Ilaria Oddenino
collection DOAJ
description This essay deals with the “other” spaces that migrants, refugees, asylum seekers find themselves inhabiting within the borders of European nation states. It concentrates on refugee camps in general, and on the Calais “Jungle” in particular. On the model of Michel Agier, I will talk of refugee camps as “heterotopias” adapting the concept developed by Michel Foucault in 1967. I will then concentrate on Kate Evans’ graphic reportage, Threads: From the Refugee Crisis – a first-hand account of the time the author spent in the Calais camp – and I will explore how the comic book illustrates, but also challenges and resists the perception of the camp as “other space” and, therefore, as a space of otherness.
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spelling doaj.art-654023ad7fc9481f814d7e9435c14b012023-10-12T06:14:26ZengUniversity of UdineLe Simplegadi1824-52262018-11-0118758410.17456/SIMPLE-97RE-DRAWING HETEROTOPIAS: CHALLENGING REFUGEE CAMPS AS OTHER SPACES IN KATE EVANS’ THREADS: FROM THE REFUGEE CRISISIlaria Oddenino0University of TurinThis essay deals with the “other” spaces that migrants, refugees, asylum seekers find themselves inhabiting within the borders of European nation states. It concentrates on refugee camps in general, and on the Calais “Jungle” in particular. On the model of Michel Agier, I will talk of refugee camps as “heterotopias” adapting the concept developed by Michel Foucault in 1967. I will then concentrate on Kate Evans’ graphic reportage, Threads: From the Refugee Crisis – a first-hand account of the time the author spent in the Calais camp – and I will explore how the comic book illustrates, but also challenges and resists the perception of the camp as “other space” and, therefore, as a space of otherness.https://le-simplegadi.it/article/view/1093
spellingShingle Ilaria Oddenino
RE-DRAWING HETEROTOPIAS: CHALLENGING REFUGEE CAMPS AS OTHER SPACES IN KATE EVANS’ THREADS: FROM THE REFUGEE CRISIS
Le Simplegadi
title RE-DRAWING HETEROTOPIAS: CHALLENGING REFUGEE CAMPS AS OTHER SPACES IN KATE EVANS’ THREADS: FROM THE REFUGEE CRISIS
title_full RE-DRAWING HETEROTOPIAS: CHALLENGING REFUGEE CAMPS AS OTHER SPACES IN KATE EVANS’ THREADS: FROM THE REFUGEE CRISIS
title_fullStr RE-DRAWING HETEROTOPIAS: CHALLENGING REFUGEE CAMPS AS OTHER SPACES IN KATE EVANS’ THREADS: FROM THE REFUGEE CRISIS
title_full_unstemmed RE-DRAWING HETEROTOPIAS: CHALLENGING REFUGEE CAMPS AS OTHER SPACES IN KATE EVANS’ THREADS: FROM THE REFUGEE CRISIS
title_short RE-DRAWING HETEROTOPIAS: CHALLENGING REFUGEE CAMPS AS OTHER SPACES IN KATE EVANS’ THREADS: FROM THE REFUGEE CRISIS
title_sort re drawing heterotopias challenging refugee camps as other spaces in kate evans threads from the refugee crisis
url https://le-simplegadi.it/article/view/1093
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