Gestating Bodies: Performing Masculinity in Viennese Actionism

In this article I examine the motif of male reproduction in Viennese Actionism and its discursive links with esotericism. The Actionists were a collective of artists best known for their radical performance art. They appropriated various esoteric traditions for their subversive tactics, including fo...

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Main Author: Sólveig Guðmundsdóttir
Format: Article
Language:English
Published: Aren Roukema 2022-12-01
Series:Correspondences
Subjects:
Online Access:http://correspondencesjournal.com/ojs/ojs/index.php/home/article/download/146/137
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author Sólveig Guðmundsdóttir
author_facet Sólveig Guðmundsdóttir
author_sort Sólveig Guðmundsdóttir
collection DOAJ
description In this article I examine the motif of male reproduction in Viennese Actionism and its discursive links with esotericism. The Actionists were a collective of artists best known for their radical performance art. They appropriated various esoteric traditions for their subversive tactics, including for destabilizing gender norms and attacking bourgeois morals. They utilize gendered imagery from alchemy and vitalism in their works, adopting an image of virile masculinity that hails phallic creative powers. The analysis foregrounds the presentation of male reproduction in Günter Brus’ action, Der Helle Wahnsinn – Die Architektur des hellen Wahnsinns (1968), as I investigate the ideas of masculinity attached to the motif and the gendered expressions in the performance.
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spelling doaj.art-657ebca804274d4f80b665c92aeeb2a32022-12-22T04:41:24ZengAren RoukemaCorrespondences2053-71582022-12-01101199234124Gestating Bodies: Performing Masculinity in Viennese ActionismSólveig GuðmundsdóttirIn this article I examine the motif of male reproduction in Viennese Actionism and its discursive links with esotericism. The Actionists were a collective of artists best known for their radical performance art. They appropriated various esoteric traditions for their subversive tactics, including for destabilizing gender norms and attacking bourgeois morals. They utilize gendered imagery from alchemy and vitalism in their works, adopting an image of virile masculinity that hails phallic creative powers. The analysis foregrounds the presentation of male reproduction in Günter Brus’ action, Der Helle Wahnsinn – Die Architektur des hellen Wahnsinns (1968), as I investigate the ideas of masculinity attached to the motif and the gendered expressions in the performance.http://correspondencesjournal.com/ojs/ojs/index.php/home/article/download/146/137viennese actionismmasculinitymale reproductionperformance artneo-avant- gardealchemyvitalism
spellingShingle Sólveig Guðmundsdóttir
Gestating Bodies: Performing Masculinity in Viennese Actionism
Correspondences
viennese actionism
masculinity
male reproduction
performance art
neo-avant- garde
alchemy
vitalism
title Gestating Bodies: Performing Masculinity in Viennese Actionism
title_full Gestating Bodies: Performing Masculinity in Viennese Actionism
title_fullStr Gestating Bodies: Performing Masculinity in Viennese Actionism
title_full_unstemmed Gestating Bodies: Performing Masculinity in Viennese Actionism
title_short Gestating Bodies: Performing Masculinity in Viennese Actionism
title_sort gestating bodies performing masculinity in viennese actionism
topic viennese actionism
masculinity
male reproduction
performance art
neo-avant- garde
alchemy
vitalism
url http://correspondencesjournal.com/ojs/ojs/index.php/home/article/download/146/137
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