The Barletta Colossos revisited.

The Barletta colossus is the sole large-scale statue in bronze preserved of a late antique emperor; the only comparable image is the even larger, but fragmentary, Constantinian emperor in Rome. According to local tradition, the Barletta colossus depicts the Byzantine emperor Heraclius (610-641). Mo...

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Main Author: Bente Kiilerich
Format: Article
Language:English
Published: University of Oslo Library 2018-03-01
Series:Acta ad Archaeologiam et Artium Historiam Pertinentia
Subjects:
Online Access:https://journals.uio.no/acta/article/view/5832
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author Bente Kiilerich
author_facet Bente Kiilerich
author_sort Bente Kiilerich
collection DOAJ
description The Barletta colossus is the sole large-scale statue in bronze preserved of a late antique emperor; the only comparable image is the even larger, but fragmentary, Constantinian emperor in Rome. According to local tradition, the Barletta colossus depicts the Byzantine emperor Heraclius (610-641). Modern researchers tend to regard this attribution as mere folklore and fiction. But while there is a general consensus that the statue does not portray Heraclius, there is no agreement as to whom it may have been intended to portray. About a dozen different emperors have been proposed, suggested dates ranging from the fourth to the eighth century. The present article reviews the evidence and discusses the methodological problems we face when dealing with this enigmatic work.
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spelling doaj.art-658f9d3f483444b09b93d9e36d5792ba2023-09-04T14:47:34ZengUniversity of Oslo LibraryActa ad Archaeologiam et Artium Historiam Pertinentia0065-09002611-36862018-03-012814 N.S.10.5617/acta.5832The Barletta Colossos revisited.Bente Kiilerich The Barletta colossus is the sole large-scale statue in bronze preserved of a late antique emperor; the only comparable image is the even larger, but fragmentary, Constantinian emperor in Rome. According to local tradition, the Barletta colossus depicts the Byzantine emperor Heraclius (610-641). Modern researchers tend to regard this attribution as mere folklore and fiction. But while there is a general consensus that the statue does not portray Heraclius, there is no agreement as to whom it may have been intended to portray. About a dozen different emperors have been proposed, suggested dates ranging from the fourth to the eighth century. The present article reviews the evidence and discusses the methodological problems we face when dealing with this enigmatic work. https://journals.uio.no/acta/article/view/5832art historyarchaeologysculptureHeracliusBarlettaColossus
spellingShingle Bente Kiilerich
The Barletta Colossos revisited.
Acta ad Archaeologiam et Artium Historiam Pertinentia
art history
archaeology
sculpture
Heraclius
Barletta
Colossus
title The Barletta Colossos revisited.
title_full The Barletta Colossos revisited.
title_fullStr The Barletta Colossos revisited.
title_full_unstemmed The Barletta Colossos revisited.
title_short The Barletta Colossos revisited.
title_sort barletta colossos revisited
topic art history
archaeology
sculpture
Heraclius
Barletta
Colossus
url https://journals.uio.no/acta/article/view/5832
work_keys_str_mv AT bentekiilerich thebarlettacolossosrevisited
AT bentekiilerich barlettacolossosrevisited