“GROANS, BANDONEON”. APPROXIMATIONS TO THE TANGO AND HIS NARRATIVES

This work constitutes a sketch of an exposition on general elements of the exiling narrative of tango. To that end, part of the history of the genre is estimated, as well as the dichotomous comparative of the notions of inner exile, exile and its definitions in different sources. The line of this ap...

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Main Author: Pablo Gómez Ascencio
Format: Article
Language:Spanish
Published: Universidad del Atlántico 2015-04-01
Series:Collectivus: Revista de Ciencias Sociales
Subjects:
Online Access:http://investigaciones.uniatlantico.edu.co/revistas/index.php/Collectivus/article/view/1266/891
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author Pablo Gómez Ascencio
author_facet Pablo Gómez Ascencio
author_sort Pablo Gómez Ascencio
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description This work constitutes a sketch of an exposition on general elements of the exiling narrative of tango. To that end, part of the history of the genre is estimated, as well as the dichotomous comparative of the notions of inner exile, exile and its definitions in different sources. The line of this approach develops the analysis of three specific cases of facts linked to tango – differentiated in a generic way in music, literature and cinema. In these, peculiarities accentuated through a methodological free approach on the mediators that affect the concretion of the facts.
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spelling doaj.art-6590d1e353434fb8847f0bc8ecc62b102022-12-22T03:13:58ZspaUniversidad del AtlánticoCollectivus: Revista de Ciencias Sociales2382-40182015-04-01217896“GROANS, BANDONEON”. APPROXIMATIONS TO THE TANGO AND HIS NARRATIVESPablo Gómez Ascencio0Universidad Nacional Autónoma de MéxicoThis work constitutes a sketch of an exposition on general elements of the exiling narrative of tango. To that end, part of the history of the genre is estimated, as well as the dichotomous comparative of the notions of inner exile, exile and its definitions in different sources. The line of this approach develops the analysis of three specific cases of facts linked to tango – differentiated in a generic way in music, literature and cinema. In these, peculiarities accentuated through a methodological free approach on the mediators that affect the concretion of the facts.http://investigaciones.uniatlantico.edu.co/revistas/index.php/Collectivus/article/view/1266/891Sociology of musicpopular musictangoexilio
spellingShingle Pablo Gómez Ascencio
“GROANS, BANDONEON”. APPROXIMATIONS TO THE TANGO AND HIS NARRATIVES
Collectivus: Revista de Ciencias Sociales
Sociology of music
popular music
tango
exilio
title “GROANS, BANDONEON”. APPROXIMATIONS TO THE TANGO AND HIS NARRATIVES
title_full “GROANS, BANDONEON”. APPROXIMATIONS TO THE TANGO AND HIS NARRATIVES
title_fullStr “GROANS, BANDONEON”. APPROXIMATIONS TO THE TANGO AND HIS NARRATIVES
title_full_unstemmed “GROANS, BANDONEON”. APPROXIMATIONS TO THE TANGO AND HIS NARRATIVES
title_short “GROANS, BANDONEON”. APPROXIMATIONS TO THE TANGO AND HIS NARRATIVES
title_sort groans bandoneon approximations to the tango and his narratives
topic Sociology of music
popular music
tango
exilio
url http://investigaciones.uniatlantico.edu.co/revistas/index.php/Collectivus/article/view/1266/891
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