“GROANS, BANDONEON”. APPROXIMATIONS TO THE TANGO AND HIS NARRATIVES
This work constitutes a sketch of an exposition on general elements of the exiling narrative of tango. To that end, part of the history of the genre is estimated, as well as the dichotomous comparative of the notions of inner exile, exile and its definitions in different sources. The line of this ap...
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Format: | Article |
Language: | Spanish |
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Universidad del Atlántico
2015-04-01
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Series: | Collectivus: Revista de Ciencias Sociales |
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Online Access: | http://investigaciones.uniatlantico.edu.co/revistas/index.php/Collectivus/article/view/1266/891 |
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author | Pablo Gómez Ascencio |
author_facet | Pablo Gómez Ascencio |
author_sort | Pablo Gómez Ascencio |
collection | DOAJ |
description | This work constitutes a sketch of an exposition on general elements of the exiling narrative of tango. To that end, part of the history of the genre is estimated, as well as the dichotomous comparative of the notions of inner exile, exile and its definitions in different sources. The line of this approach develops the analysis of three specific cases of facts linked to tango – differentiated in a generic way in music, literature and cinema. In these, peculiarities accentuated through a methodological free approach on the mediators that affect the concretion of the facts. |
first_indexed | 2024-04-12T22:31:40Z |
format | Article |
id | doaj.art-6590d1e353434fb8847f0bc8ecc62b10 |
institution | Directory Open Access Journal |
issn | 2382-4018 |
language | Spanish |
last_indexed | 2024-04-12T22:31:40Z |
publishDate | 2015-04-01 |
publisher | Universidad del Atlántico |
record_format | Article |
series | Collectivus: Revista de Ciencias Sociales |
spelling | doaj.art-6590d1e353434fb8847f0bc8ecc62b102022-12-22T03:13:58ZspaUniversidad del AtlánticoCollectivus: Revista de Ciencias Sociales2382-40182015-04-01217896“GROANS, BANDONEON”. APPROXIMATIONS TO THE TANGO AND HIS NARRATIVESPablo Gómez Ascencio0Universidad Nacional Autónoma de MéxicoThis work constitutes a sketch of an exposition on general elements of the exiling narrative of tango. To that end, part of the history of the genre is estimated, as well as the dichotomous comparative of the notions of inner exile, exile and its definitions in different sources. The line of this approach develops the analysis of three specific cases of facts linked to tango – differentiated in a generic way in music, literature and cinema. In these, peculiarities accentuated through a methodological free approach on the mediators that affect the concretion of the facts.http://investigaciones.uniatlantico.edu.co/revistas/index.php/Collectivus/article/view/1266/891Sociology of musicpopular musictangoexilio |
spellingShingle | Pablo Gómez Ascencio “GROANS, BANDONEON”. APPROXIMATIONS TO THE TANGO AND HIS NARRATIVES Collectivus: Revista de Ciencias Sociales Sociology of music popular music tango exilio |
title | “GROANS, BANDONEON”. APPROXIMATIONS TO THE TANGO AND HIS NARRATIVES |
title_full | “GROANS, BANDONEON”. APPROXIMATIONS TO THE TANGO AND HIS NARRATIVES |
title_fullStr | “GROANS, BANDONEON”. APPROXIMATIONS TO THE TANGO AND HIS NARRATIVES |
title_full_unstemmed | “GROANS, BANDONEON”. APPROXIMATIONS TO THE TANGO AND HIS NARRATIVES |
title_short | “GROANS, BANDONEON”. APPROXIMATIONS TO THE TANGO AND HIS NARRATIVES |
title_sort | groans bandoneon approximations to the tango and his narratives |
topic | Sociology of music popular music tango exilio |
url | http://investigaciones.uniatlantico.edu.co/revistas/index.php/Collectivus/article/view/1266/891 |
work_keys_str_mv | AT pablogomezascencio groansbandoneonapproximationstothetangoandhisnarratives |