RACIONALIDADES NO FAZER ARTÍSTICO: ESTUDANDO A PERSPECTIVA DE UM GRUPO DE TEATRO
This paper aims at discussing which rationality types may orient contemporary artistic practice. This objective emerged from a researchmade in Grupo Galpão, a twenty-eight years old theatre group from Belo Horizonte. As we entered into the research locus, by documental analysis, non participant obse...
| Main Authors: | , |
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| Format: | Article |
| Language: | English |
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Fundação Getulio Vargas, Escola de Administração de Empresas de São Paulo
2011-07-01
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| Series: | RAE: Revista de Administração de Empresas |
| Subjects: | |
| Online Access: | http://rae.fgv.br/sites/rae.fgv.br/files/artigos/10.1590_S0034-7590201100040005.pdf |
| Summary: | This paper aims at discussing which rationality types may orient contemporary artistic practice. This objective emerged from a researchmade in Grupo Galpão, a twenty-eight years old theatre group from Belo Horizonte. As we entered into the research locus, by documental analysis, non participant observation and interviews, the rationality issue became a prominent theme to be discussed considering contemporary art production. By means of discourse analysis elements, we could identify in artists’ discursive practices meanings about art-making, sometimes related to instrumental rationality and to surviving in the market of cultural goods; and sometimes, on the other hand, were related to substantive rationality and to practicesoriented by ethical or esthetical ideals. By the end, despite of economic pressures from the cultural industry context, we understand that authentic art is intrinsically a transcendent practice and keeps moments of freedom and assertion of out-of-the-ordinary life values |
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| ISSN: | 0034-7590 2178-938X |