“Where Does This World End?” Space, Time and Image in Harun Farocki’s Parallel I-IV

Harun Farocki’s last completed installation film, Parallel I-IV, opens with a collection of video game landscapes grouped together by elements of earth, fire, water, and air, engaging a non-vococentric film essay style to reflect upon material transformations that occur through digital images. Faro...

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Bibliographic Details
Main Author: Joshua Synenko
Format: Article
Language:English
Published: University of Alberta 2023-12-01
Series:Imaginations: Journal of Cross-Cultural Media Studies
Online Access:https://imaginationsjournal.ca/index.php/imaginations/article/view/29693
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author Joshua Synenko
author_facet Joshua Synenko
author_sort Joshua Synenko
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description Harun Farocki’s last completed installation film, Parallel I-IV, opens with a collection of video game landscapes grouped together by elements of earth, fire, water, and air, engaging a non-vococentric film essay style to reflect upon material transformations that occur through digital images. Farocki develops a unique curatorial approach to express both the power and the limits of digital image construction and the creative process, and emphasizes sharp historical perspectives. By challenging the dyad of realism and simulation and their associated narrative conventions, whether through film, video games, or art exhibits, Farocki’s brand of essay film provides critical insights into the affective and sociotechnical dimensions of the imaged world.
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spelling doaj.art-65d7bbfcab8e48f1b0c2ca32624463a62023-12-22T06:52:09ZengUniversity of AlbertaImaginations: Journal of Cross-Cultural Media Studies1918-84392023-12-0114210.17742/IMAGE29693“Where Does This World End?” Space, Time and Image in Harun Farocki’s Parallel I-IVJoshua Synenko Harun Farocki’s last completed installation film, Parallel I-IV, opens with a collection of video game landscapes grouped together by elements of earth, fire, water, and air, engaging a non-vococentric film essay style to reflect upon material transformations that occur through digital images. Farocki develops a unique curatorial approach to express both the power and the limits of digital image construction and the creative process, and emphasizes sharp historical perspectives. By challenging the dyad of realism and simulation and their associated narrative conventions, whether through film, video games, or art exhibits, Farocki’s brand of essay film provides critical insights into the affective and sociotechnical dimensions of the imaged world. https://imaginationsjournal.ca/index.php/imaginations/article/view/29693
spellingShingle Joshua Synenko
“Where Does This World End?” Space, Time and Image in Harun Farocki’s Parallel I-IV
Imaginations: Journal of Cross-Cultural Media Studies
title “Where Does This World End?” Space, Time and Image in Harun Farocki’s Parallel I-IV
title_full “Where Does This World End?” Space, Time and Image in Harun Farocki’s Parallel I-IV
title_fullStr “Where Does This World End?” Space, Time and Image in Harun Farocki’s Parallel I-IV
title_full_unstemmed “Where Does This World End?” Space, Time and Image in Harun Farocki’s Parallel I-IV
title_short “Where Does This World End?” Space, Time and Image in Harun Farocki’s Parallel I-IV
title_sort where does this world end space time and image in harun farocki s parallel i iv
url https://imaginationsjournal.ca/index.php/imaginations/article/view/29693
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