Entre-deux: en el riesgo del sentido, en la otredad de la lengua
Between her own language and the foreign language, between translation and rewriting, the strange and the familiar, are the Poemas franceses that Alejandra Pizarnik will write during her stay in Paris. Between the short and refined verse of Árbol de Diana or Los trabajos y las noches, and the elasti...
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| Format: | Article |
| Language: | Spanish |
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Réseau Interuniversitaire d'Ètude des Littératures Contemporaines du Río de la Plata
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| Series: | Cuadernos LIRICO |
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| Online Access: | https://journals.openedition.org/lirico/14723 |
| Summary: | Between her own language and the foreign language, between translation and rewriting, the strange and the familiar, are the Poemas franceses that Alejandra Pizarnik will write during her stay in Paris. Between the short and refined verse of Árbol de Diana or Los trabajos y las noches, and the elastic writing that unfolds in Extraction de la piedra de locura or El infierno musical, these poems written in French, and for the most part in prose, function as a turning point in the author's work. The article presented here is therefore a reading of this in-between that operates in the poetics of Pizarnik. |
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| ISSN: | 2262-8339 |