The Cinema and the Cultural Imaginaries of the Violated City in Roberto Bolaño

The present article examines three works by Roberto Bolaño, who put the ballistic Effigies through narratology and cultural anthropology, who expose new uses for urban space by avoiding a symbolic imaginary controlled by the spatial functions of a disguised overmodernity. In this way, the analysis c...

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Main Author: Nelida Jeanette Sánchez Ramos
Format: Article
Language:English
Published: University Library System, University of Pittsburgh 2018-01-01
Series:Catedral Tomada: Revista de Crítica Literaria Latinoamericana
Subjects:
Online Access:http://catedraltomada.pitt.edu/ojs/index.php/catedraltomada/article/view/246
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author Nelida Jeanette Sánchez Ramos
author_facet Nelida Jeanette Sánchez Ramos
author_sort Nelida Jeanette Sánchez Ramos
collection DOAJ
description The present article examines three works by Roberto Bolaño, who put the ballistic Effigies through narratology and cultural anthropology, who expose new uses for urban space by avoiding a symbolic imaginary controlled by the spatial functions of a disguised overmodernity. In this way, the analysis covers its axiological negativity, its ethical anomaly and the inconstancy of its constitutive definitions as characters, which are representations of evil in modern thought in America. It is a trajectory of the existential vacuum, impressions that will be repeated intermittently as anthropological structures from the regime of the image.
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spelling doaj.art-6625d01c615b44d281d893d25ece6f572022-12-21T18:32:52ZengUniversity Library System, University of PittsburghCatedral Tomada: Revista de Crítica Literaria Latinoamericana2169-08472018-01-015910914210.5195/ct/2017.246107The Cinema and the Cultural Imaginaries of the Violated City in Roberto BolañoNelida Jeanette Sánchez Ramos0Universidad de ColimaThe present article examines three works by Roberto Bolaño, who put the ballistic Effigies through narratology and cultural anthropology, who expose new uses for urban space by avoiding a symbolic imaginary controlled by the spatial functions of a disguised overmodernity. In this way, the analysis covers its axiological negativity, its ethical anomaly and the inconstancy of its constitutive definitions as characters, which are representations of evil in modern thought in America. It is a trajectory of the existential vacuum, impressions that will be repeated intermittently as anthropological structures from the regime of the image.http://catedraltomada.pitt.edu/ojs/index.php/catedraltomada/article/view/246Antropologíacineimagenno lugarvacío
spellingShingle Nelida Jeanette Sánchez Ramos
The Cinema and the Cultural Imaginaries of the Violated City in Roberto Bolaño
Catedral Tomada: Revista de Crítica Literaria Latinoamericana
Antropología
cine
imagen
no lugar
vacío
title The Cinema and the Cultural Imaginaries of the Violated City in Roberto Bolaño
title_full The Cinema and the Cultural Imaginaries of the Violated City in Roberto Bolaño
title_fullStr The Cinema and the Cultural Imaginaries of the Violated City in Roberto Bolaño
title_full_unstemmed The Cinema and the Cultural Imaginaries of the Violated City in Roberto Bolaño
title_short The Cinema and the Cultural Imaginaries of the Violated City in Roberto Bolaño
title_sort cinema and the cultural imaginaries of the violated city in roberto bolano
topic Antropología
cine
imagen
no lugar
vacío
url http://catedraltomada.pitt.edu/ojs/index.php/catedraltomada/article/view/246
work_keys_str_mv AT nelidajeanettesanchezramos thecinemaandtheculturalimaginariesoftheviolatedcityinrobertobolano
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