The Cinema and the Cultural Imaginaries of the Violated City in Roberto Bolaño
The present article examines three works by Roberto Bolaño, who put the ballistic Effigies through narratology and cultural anthropology, who expose new uses for urban space by avoiding a symbolic imaginary controlled by the spatial functions of a disguised overmodernity. In this way, the analysis c...
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| Format: | Article |
| Language: | English |
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University Library System, University of Pittsburgh
2018-01-01
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| Series: | Catedral Tomada: Revista de Crítica Literaria Latinoamericana |
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| Online Access: | http://catedraltomada.pitt.edu/ojs/index.php/catedraltomada/article/view/246 |