The Wandering Character in the Coen Brothers’ Films: When the Southern Gothic Meets the Western
The wandering character is a regular feature in the Coen Brothers’ films. Roaming the American South and West, two regions those directors have explored on various occasions, Coenian wanderers are mysterious, ominous characters, often grotesque, most of them undoubted...
Main Author: | Julie Assouly |
---|---|
Format: | Article |
Language: | English |
Published: |
Presses universitaires de Rennes
|
Series: | Revue LISA |
Subjects: | |
Online Access: | https://journals.openedition.org/lisa/9304 |
Similar Items
-
« Shots in mirrors » : Les jeux de miroir dans No Country For Old Men (Coen 2007)
by: Julie Assouly -
« Ever step you take is forever » : fin de l’héroïsme et vacuité spirituelle dans No Country for Old Men
by: Martin Berny -
“The man who wasn’t there”—and was “out there”: Chigurh as cinematic figure
by: Nicole Cloarec -
Esthétique de la trace dans No Country for Old Men (Ethan et Joel Coen, 2007)
by: Christophe Gelly -
Entre humour noir et réflexivité : écouter la voix de Moss dans No Country for Old Men
by: Françoise Sammarcelli